{"id":964,"date":"2017-12-04T00:12:58","date_gmt":"2017-12-03T23:12:58","guid":{"rendered":"https:\/\/yannbeauvais.com\/?page_id=964"},"modified":"2023-03-07T09:20:29","modified_gmt":"2023-03-07T08:20:29","slug":"expositionsexhibitionsmostras","status":"publish","type":"page","link":"https:\/\/yannbeauvais.com\/?page_id=964","title":{"rendered":"expositions\/exhibitions\/mostras"},"content":{"rendered":"

2023 : Expos\u00e9es<\/em>, Palais de Tokyo, 16 f\u00e9vrier, 14 mai 2023, Tu,sempre #16, Paris\"tu,<\/a><\/em><\/p>\n

2022: Imburaninha<\/em>, Edson Barrus & yann beauvais<\/em>\u00a0 Ygrec ENSAPC, 17 septembre 30 octobre, Aubervilliers<\/p>\n

\"Imburaninha\"<\/a><\/p>\n

Des Rives<\/em>, L’\u00e2ge d’or, Cinematek Royale de Belgique, 24 – 25 septembre, salle Plateau, Cinematek, Bruxelles<\/p>\n

2021: VIH\/Sida l’\u00e9pid\u00e9mie n’est pas finie,<\/em> MUCEM 14 d\u00e9cembre 2021, 2 Mai 2022 Tu,sempre #15, <\/em>Marseille
\n<\/em><\/p>\n

\"Tu,<\/a><\/p>\n

Artifacts, Tu, sempre #14, <\/em>commissariat Barbara Krulik, Midred Duran, Casa Hoffmann, 24 sep \/ 23 oct, Bogota<\/p>\n

\"Artifacts\"<\/a><\/p>\n

La page manquante, <\/em>commissariat Renaud-Auguste Dormeuil, Centre WAllonie Bruxelles, 5-14 mars Paris<\/p>\n

2019: La page manquante, <\/em>commissariat Renaud-Auguste Dormeuil, Mus\u00e9e des Moulages H\u00f4pital Saint Louis 9 au 22 sep, Paris<\/p>\n

2017: Frestas Trienal de Artes Sorocaba, Projeto Imburana Edson Barrus<\/em>, film Imburana Frestas, 12 de Agosto \/ 13 de Dezembro 2017, Sorocaba\u00a0 Sescsp, S\u00e3o Paulo<\/p>\n

Trouv\u00e9es M\u00e9trages<\/em> July 20th – August 18th, Curated by Deirdre Morrissey, The Mart Gallery, Dublin<\/p>\n

Voice = Survival<\/em> June 15th, August 11 an exhibition curated by Claudia Maria Carrera and Adrian Geraldo Salda\u00f1a for Visual AIDS at The 8th Floor, New York<\/p>\n

The New Situationists<\/em>, March 3rd, April 28th, ProArts, Oakland<\/p>\n

2016 art protects<\/i> Aides, Galerie Yvon Lambert, Espace Fondation EDF, Paris<\/p>\n

2014\u00a0yb 150213, 40 anos de cinemativismo de yann beauvais,<\/em>\u00a0curadoria Jean-Michel Bouhours, B\u00b3 Recife \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0<\/em><\/p>\n

\"20141129_173849\"<\/a>\"20141129_173822\"<\/a>
\n<\/a><\/em><\/p>\n

\u00a0<\/em><\/p>\n

art protects Aides<\/em> 30 ans<\/em>, Galerie Yvon Lambert, Paris \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Hezraelah,\u00a0<\/i>in TypeMotion Type as Image in Movemen<\/i>t, ZKM Museum of Contemporary Art, November 16, 2013 \u2013 January 12, 2014, Karlsruhe<\/p>\n

2013\u00a0Tu, sempre # 11,\u00a0<\/i>Um dia sem arte<\/i>, B\u00b3, Recife \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Artificial Poetic,\u00a0Livre Film\u00e9<\/i>, 5eme Festival du livre de la Canebi\u00e8re, La compagnie, Marseille \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Artificial Poetic, Book Machine,<\/i> Nouveau Festival, Centre Georges Pompidou, 20 f\u00e9vrier, 11 mars, Paris<\/p>\n

2011\u00a0art protects<\/i>\u00a0Aides, Galerie Yvon Lambert, Paris<\/p>\n

2010 Tu sempre #10 Conversations Intimes<\/i>, Mus\u00e9e d\u00e9partemental de l\u2019Oise, Beauvais \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Le r\u00e9el\u00a0: nouvel opium,<\/i> Galerie Files du Calvaire, Paris<\/p>\n

2009 Les belles images\u00a0:<\/i> Premi\u00e8re Hylpoth\u00e8se<\/i> La Box, Bourges<\/p>\n

\"affection<\/a><\/p>\n

art protects<\/i> Aides, Galerie Yvon Lambert, Paris \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Tu sempre # 9 L\u2019empathie des parties<\/i>– Afinitats Electives<\/i> un projet de Miquel Mont et la complicit\u00e9 de Gloria Picazo et Noelle Tissier, Centre r\u00e9gional d\u2019art contemporain Languedoc-Roussillon, S\u00e8te<\/p>\n

2008 Affection exon\u00e9rante, in Cosmos En busca de los or\u00edgenes, de Kupka a Kubrick<\/i>, c\u00f3misario Arnauld Pierre, Tenerife Espacio de las Artes, (TEA) Santa Cruz de Tenerife \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Tu sempre # 8 in Afinitats Electives<\/i> un projecte de Miquel Mont amb la complicitat de Gloria Picazo i Noelle Tissier, Centre d\u2019art la Panera, Lleida \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Spin in Yokohama VDO Collection 08<\/i>, estceunebonnenouvelle, Red Brick Ware House, Yokohama,<\/p>\n

2007 Da Galpao da Dona Ana em Petrolina,, in Finestres i Pantalles<\/i>, selected by Miquel Mont\u00a0, Carmelitas Gallery, Barcelona \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Instructions For Films<\/i>, Zoo Air Fair, Royal Academy of Arts, London \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 art protects<\/i> Aides, Galerie Yvon Lambert, Paris \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Courts d\u2019Et\u00e9<\/i> , Sans titre Beijing\u00a0, Mus\u00e9e d\u2019Art Moderne et Contemporain de Strasbourg<\/p>\n

2006 , d\u2019ailleurs, La montagne Sainte Victoire, vue(s) et revues<\/i>, Libraire K, Aix en Provence \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Vues Urbaines<\/i>, Des rives, Kuntstraumm Walcheturm, Zurich \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Paysages en travaux, des chemins de traverse entre l\u2019art vid\u00e9o & documentaire<\/i>, Transbrasiliana 2 Parisud, Cachan \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shibuya, Le mouvement des images<\/i>, Centre Georges Pompidou, Paris<\/p>\n

2005 Transbrasiliana, Made in Brazil<\/i>, Centre d\u2019art contemporain Faux mouvement, Metz absente, festival Bangkok \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/i>\u00abvue d\u2019ici\u00bb,<\/i> Shibuya, Centre d\u2019art contemporain Faux mouvement, Metz<\/p>\n

2004 Maison Rimbaud, absente , Charleville-Mezi\u00e8re \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 After Foucault<\/i>, Tu, sempre # 7, Vacarme, Les Vo\u00fbtes, Paris \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Tu, sempre # 6<\/i> , La Compagnie, Marseille<\/p>\n

2003 Tu, sempre # 5, Faisceau <\/i>Espace multim\u00e9dia de Gantner, Bourogne \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Tu, sempre # 4<\/i> , Galerie Faux mouvement, Metz \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Tu, sempre # 3<\/i> , Galerie de l\u2019Ecole des Beaux Arts, Tours<\/p>\n

2002 Tu, sempre # 2<\/i> , Galerie EOF, Paris<\/p>\n

2001 Des rives<\/i> , Installation Des rives, Le Credac, Ivry sur Seine \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vid\u00e9oformes <\/i>, Go, Go, Go, it’s not disco, Mus\u00e9e du tapis , Clermont Ferrand\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Outras Paisagens<\/i> , Des rives, Museu Serralves, Porto \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tu, Sempre, Festival Mettre en Sc\u00e8ne<\/i>, La Cri\u00e9e, Rennes<\/p>\n

2000 Expanded Cinema<\/i>, Installation Des rives idea Wand 5, Stuttgart \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Chilled out Cinema<\/i> , Installation Des rives, Link, Bologna \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Festival des nouveaux m\u00e9dias<\/i>, Installation Des rives, Cin\u00e9math\u00e8que qu\u00e9bequoise, Montr\u00e9al \u00a0 \u00a0 \u00a0 Netmage, Media magica<\/i>, Rotative Screen, Link et Installation Quatr’un Palazzo Paloetti, Bologna<\/p>\n

1999 SITuation COMpromettantes<\/i>, galerie Anton Weller et galerie Montenay-Giroux, Paris \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Y2K le cin\u00e9ma d\u00e9cadr\u00e9<\/i>, Des rives, Quatr’un, Washang Art Center, Taipei \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Machines de cin\u00e9ma<\/i>, Installation Des rives Spoutnik, Gen\u00e8ve<\/p>\n

1997 Ouverture Mus\u00e9e d\u2019art moderne et contemporain<\/i>, Ken et le m\u00e8tre, Strasbourg<\/p>\n

1996 yann beauvais,<\/i> Anne-Marie Cornu, Emmanuel Odin, Installation Faisceau 2, Centre d\u2019art Rueil Malmaison \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 D\u00e9fil\u00e9 de film Re-cadr\u00e9<\/i>, l’Alhambra, Installation Faisceau, Marseille<\/p>\n

1995 De ci De l\u00e0, Du Cin\u00e9ma ‘Hui et au del\u00e0<\/i>, Quatr’un Mus\u00e9e des Beaux-arts, chapelle de l’Oratoire, Nantes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La roue est \u00e0 nu<\/i>, Inauguration de la rue Marcel Duchamp, Paris\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D\u00e9fil\u00e9 de film Re-cadr\u00e9<\/i>, Installation Temps de m\u00e8tre La Zonm\u00e9e, Montreuil<\/p>\n

1993 D\u00e9fil\u00e9 de film D\u00e9cadr\u00e9<\/i>, Installation Quatr’un, La Zonm\u00e9e, Montreuil \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Le cin\u00e9ma comme installation<\/i>, Quatr’unl’Alhambra, Marseille, \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Arr\u00eat sur Image 3<\/i>, photos, La Zonm\u00e9e, Montreuil \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Images en sc\u00e8ne<\/i>, Image 3000, Installation Quatr’un, Palais de Tokyo, Paris \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Le cin\u00e9ma s’installe<\/i>, Installation film Store 102, Grenoble<\/p>\n

1985 Vid\u00e9o installation<\/i>, Enjeux, The Fridge, London<\/p>\n

1983 Art Cin\u00e9ma<\/i>, frozen film frame According to… et photos, Issy-les-Moulineaux<\/p>\n","protected":false},"excerpt":{"rendered":"

2023 : Expos\u00e9es, Palais de Tokyo, 16 f\u00e9vrier, 14 mai 2023, Tu,sempre #16, Paris 2022: Imburaninha, Edson Barrus & yann beauvais\u00a0 Ygrec ENSAPC, 17 septembre 30 octobre, Aubervilliers Des Rives, L’\u00e2ge d’or, Cinematek Royale de Belgique, 24 – 25 septembre, salle Plateau, Cinematek, Bruxelles 2021: VIH\/Sida l’\u00e9pid\u00e9mie n’est pas finie, MUCEM 14 d\u00e9cembre 2021, 2 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-964","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/pages\/964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=964"}],"version-history":[{"count":31,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/pages\/964\/revisions"}],"predecessor-version":[{"id":1841,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/pages\/964\/revisions\/1841"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}