{"id":1396,"date":"2017-04-25T12:16:06","date_gmt":"2017-04-25T11:16:06","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=1396"},"modified":"2017-04-25T12:24:45","modified_gmt":"2017-04-25T11:24:45","slug":"de-limage-composite","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=1396","title":{"rendered":"DE L&rsquo;IMAGE COMPOSITE"},"content":{"rendered":"<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">in Esth\u00e9tique de la modernit\u00e9 Pour un cognitivisme non-lin\u00e9aire, sous la direction de Louis-Jos\u00e9 Lestocart, Edtions Hermann, Paris 2017<\/span><\/span><\/span><\/p>\n<p>Comment les images composites transforment autant nos modes de perception que de conception de l&rsquo;image. La question des images composites est ancienne, mais l&rsquo;usage cin\u00e9matographique et vid\u00e9ographique de ces images se jouant de notre participation, s&rsquo;est peu \u00e0 peu g\u00e9n\u00e9ralis\u00e9 jusqu&rsquo;\u00e0 d\u00e9cider, via des logiciels de traitement des images, de \u00ab\u00a0l&rsquo;apparition d&rsquo;un nouvel audiovisuel composite, structur\u00e9 et complexe\u00a0\u00bb. <a href=\"https:\/\/yannbeauvais.com\/wp-content\/uploads\/2017\/04\/photo-couv.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1397\" src=\"https:\/\/yannbeauvais.com\/wp-content\/uploads\/2017\/04\/photo-couv-1024x693.jpg\" alt=\"photo couv\" width=\"625\" height=\"422\" srcset=\"https:\/\/yannbeauvais.com\/wp-content\/uploads\/2017\/04\/photo-couv-1024x693.jpg 1024w, https:\/\/yannbeauvais.com\/wp-content\/uploads\/2017\/04\/photo-couv-300x203.jpg 300w, https:\/\/yannbeauvais.com\/wp-content\/uploads\/2017\/04\/photo-couv-624x422.jpg 624w, https:\/\/yannbeauvais.com\/wp-content\/uploads\/2017\/04\/photo-couv.jpg 1436w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>in Esth\u00e9tique de la modernit\u00e9 Pour un cognitivisme non-lin\u00e9aire, sous la direction de Louis-Jos\u00e9 Lestocart, Edtions Hermann, Paris 2017 Comment les images composites transforment autant nos modes de perception que de conception de l&rsquo;image. La question des images composites est ancienne, mais l&rsquo;usage cin\u00e9matographique et vid\u00e9ographique de ces images se jouant de notre participation, s&rsquo;est [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,8],"tags":[],"class_list":["post-1396","post","type-post","status-publish","format-standard","hentry","category-ecrits","category-essais"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/1396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1396"}],"version-history":[{"count":2,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/1396\/revisions"}],"predecessor-version":[{"id":1403,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/1396\/revisions\/1403"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}