{"id":1813,"date":"2023-01-23T23:18:40","date_gmt":"2023-01-23T22:18:40","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=1813"},"modified":"2023-01-23T23:44:08","modified_gmt":"2023-01-23T22:44:08","slug":"extracao","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=1813","title":{"rendered":"Extra\u00e7\u00e3o"},"content":{"rendered":"<div class=\"page\" title=\"Page 32\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Le film Extrac\u0327a\u0303o de l\u2019arbre mort qui devient pour l\u2019exposition Imburaninha, Tronco Velho, re\u0301alise\u0301 au moyen d\u2019un drone permet d\u2019avoir une autre image de la caatinga. Le survol de la fore\u0302t blanche donne un aperc\u0327u de la topographie du biome et de\u0301voile une partie des transports ge\u0301ne\u0301re\u0301s par l\u2019exposition en terme de de\u0301racinement et de\u0301placement, en effet il ne s\u2019agit que de l\u2019extraction de l\u2019arbre de son milieu, et pas de sa de\u0301localisation transcontinentale. Pour des raisons le\u0301gales, il e\u0301tait ne\u0301cessaire de pouvoir montrer<br \/>\nle lieu ou l\u2019arbre mort a e\u0301te\u0301 pre\u0301leve\u0301 afin d\u2019e\u0301tablir qu\u2019il n\u2019a pas e\u0301te\u0301 abattu pour les besoins du film ou de l\u2019exportation, mais trouve\u0301 ainsi, et donc le recours au drone. Dans Extrac\u0327a\u0303o, la pre\u0301sence humaine est essentielle, elle souligne les liens que nous entretenons avec l\u2019environnement et qui sont le plus souvent des liens d\u2019exploitation et d\u2019extorsion. On ne pouvait faire l\u2019impasse sur cette capture et ses re\u0301percussions, qui se manifestent pour et au travers de Imburaninha. Le pre\u0301le\u0300vement de l\u2019arbre renvoie indirectement aux usages consume\u0301ristes des richesses mine\u0301rales et ve\u0301ge\u0301tales, des pays occidentaux.<\/p>\n<p>partie de l&rsquo;installation Imburaninha un projet d&rsquo;Edson Barrus &amp; yann beauvais, et \u00e9tait montr\u00e9 en version double \u00e9cran d\u00e9synchronis\u00e9<\/p>\n<div class=\"page\" title=\"Page 61\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 61\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>O filme Extrac\u0327a\u0303o, focado na a\u0301rvore morta presente na exposic\u0327a\u0303o Imburaninha, Tronco Velho, recorre a\u0300 utilizac\u0327a\u0303o de um drone permitindo uma outra imagem da caatinga. O sobrevo\u0302o da floresta branca da\u0301 conta da topografia do bioma e desvela uma parte dos transportes gerados pela exposic\u0327a\u0303o em termos de desenraizamento e deslocamento, e exibe simplesmente a extrac\u0327a\u0303o da a\u0301rvore de seu meio, na\u0303o seu transporte transcontinental. Por razo\u0303es legais foi necessa\u0301rio mostrar o local de onde a a\u0301rvore morta foi removida a fim de demonstrar que ela na\u0303o foi abatida para as demandas<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>do filme ou da exportac\u0327a\u0303o, mas encontrada ja\u0301 morta, por isso o recurso das imagens de drone. Em Extrac\u0327a\u0303o a presenc\u0327a humana e\u0301 essencial, ela sublinha os vi\u0301nculos que no\u0301s estabelecemos com o ambiente e que sa\u0303o mais frequentemente vi\u0301nculos de explorac\u0327a\u0303o ou extorsa\u0303o. Na\u0303o podi\u0301amos ignorar esta captura e suas repercusso\u0303es, que se manifestam por e atrave\u0301s de Imburaninha. A remoc\u0327a\u0303o da a\u0301rvore leva indiretamente aos usos consumistas das riquezas minerais e vegetais dos pai\u0301ses ocidentais.<\/p>\n<p>parte da instala\u00e7\u00e3o Imburaninha um projeto de Edson Barrus &amp; yann beauvais, e foi mostrado em uma vers\u00e3o de tela dupla dessincronizada<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le film Extrac\u0327a\u0303o de l\u2019arbre mort qui devient pour l\u2019exposition Imburaninha, Tronco Velho, re\u0301alise\u0301 au moyen d\u2019un drone permet d\u2019avoir une autre image de la caatinga. Le survol de la fore\u0302t blanche donne un aperc\u0327u de la topographie du biome et de\u0301voile une partie des transports ge\u0301ne\u0301re\u0301s par l\u2019exposition en terme de de\u0301racinement et de\u0301placement, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1813","post","type-post","status-publish","format-standard","hentry","category-films"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/1813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1813"}],"version-history":[{"count":2,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/1813\/revisions"}],"predecessor-version":[{"id":1832,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/1813\/revisions\/1832"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}