2025-26 27:52 existe en quatre version : English, Espag\u00f1ol, Fran\u00e7ais, Portugu\u00eas<\/p>\n\n\n\n
Depuis une quinzaine d’ann\u00e9es je filme une for\u00eat d’imburana de camb\u00e3odisparaissant progressivement qui se trouve \u00e0 la limite de l’\u00e9tat de Bahia et du Pernambouc.. La saturation visuelle due aux surimpression et \u00e0 la division en trois parties de l’\u00e9cran favorise la production d’une rythmique particuli\u00e8re dans laquelle les textes puls\u00e9s imposent d’autres \u00e9chapp\u00e9es. La disparition progressive de cette for\u00eat fait \u00e9cho au textes \u00e9voquant les cons\u00e9quences du r\u00e9chauffement climatique, tout inscrivant le feu et l’abattage comme des actes humains qui contribuent \u00e0 cet apauvrissement.La base de ce film \u00e9tait l’installation du m\u00eame nom dans le cadre d’une exposition \u00e0 l’espace Frans Krajcberg en 2025. Le film est plus dense. les Imburanas de camb\u00e3o s’enflamme alors que le sert\u00e3o se d\u00e9sertifie.<\/p>\n\n\n\n
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H\u00e1 cerca de quinze anos, venho filmando uma floresta de imburanas de camb\u00e3o que desaparece progressivamente, localizada na divisa entre os estados da Bahia e de Pernambuco. A satura\u00e7\u00e3o visual provocada pelas sobreposi\u00e7\u00f5es de imagens e pela divis\u00e3o da tela em tr\u00eas partes favorece a cria\u00e7\u00e3o de uma r\u00edtmica particular, na qual os textos pulsantes imp\u00f5em outras possibilidades de fuga.O desaparecimento gradual dessa floresta ecoa os textos que evocam as consequ\u00eancias do aquecimento clim\u00e1tico, ao mesmo tempo em que inscreve o fogo e o desmatamento como atos humanos que contribuem para esse empobrecimento.<\/p>\n\n\n\n
A base deste filme foi a instala\u00e7\u00e3o de mesmo nome apresentada no contexto de uma exposi\u00e7\u00e3o no Espa\u00e7o Frans Krajcberg, em 2025. O filme \u00e9 mais denso. As imburanas de camb\u00e3o entram em chamas enquanto o sert\u00e3o se desertifica.<\/p>\n\n\n\n
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For around fifteen years, I have been filming a forest of imburana de camb\u00e3o trees that has been progressively disappearing, located on the border between the states of Bahia and Pernambuco. The visual saturation created through image overlaps and the division of the screen into three parts fosters the emergence of a particular rhythm, in which pulsating texts impose other forms of escape.The gradual disappearance of this forest echoes texts evoking the consequences of climate change, while also inscribing fire and logging as human acts contributing to this impoverishment.The basis of this film was the installation of the same name presented as part of an exhibition at the Frans Krajcberg Space in 2025. The film is denser. The imburanas de camb\u00e3o burst into flames as the sert\u00e3o turns into desert.<\/p>\n\n\n\n
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Desde hace unos quince a\u00f1os filmo un bosque de imburanas de camb\u00e3o que desaparece progresivamente, situado en la frontera entre los estados de Bah\u00eda y Pernambuco. La saturaci\u00f3n visual provocada por las sobreimpresiones y la divisi\u00f3n de la pantalla en tres partes favorece la creaci\u00f3n de una r\u00edtmica particular, en la que los textos pulsantes imponen otras v\u00edas de escape.La desaparici\u00f3n gradual de este bosque hace eco de textos que evocan las consecuencias del calentamiento clim\u00e1tico, al tiempo que inscribe el fuego y la tala como actos humanos que contribuyen a este empobrecimiento.La base de esta pel\u00edcula fue la instalaci\u00f3n del mismo nombre presentada en el marco de una exposici\u00f3n en el Espacio Frans Krajcberg en 2025. La pel\u00edcula es m\u00e1s densa. Las imburanas de camb\u00e3o arden mientras el sert\u00e3o se desertifica.<\/p>\n\n\n\n
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2025-26 27:52 existe en quatre version : English, Espag\u00f1ol, Fran\u00e7ais, Portugu\u00eas Depuis une quinzaine d’ann\u00e9es je filme une for\u00eat d’imburana de camb\u00e3odisparaissant progressivement qui se trouve \u00e0 la limite de l’\u00e9tat de Bahia et du Pernambouc.. La saturation visuelle due aux surimpression et \u00e0 la division en trois parties de l’\u00e9cran favorise la production d’une […]<\/p>\n","protected":false},"author":1,"featured_media":1997,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[92],"class_list":["post-1989","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-landscape-film"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/1989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1989"}],"version-history":[{"count":5,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/1989\/revisions"}],"predecessor-version":[{"id":2003,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/1989\/revisions\/2003"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/media\/1997"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}