{"id":243,"date":"2014-03-10T12:28:19","date_gmt":"2014-03-10T11:28:19","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=243"},"modified":"2014-09-20T15:51:39","modified_gmt":"2014-09-20T14:51:39","slug":"sid-a-ids","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=243","title":{"rendered":"SID A IDS"},"content":{"rendered":"
\n

The appearance of Aids unleashed media hysteria in favor of a rapid return of a moral order.Faced with this situation of denunciation, victimization and discrimination against people living with Aids, this film, using a specific visual form, attempts to articulate a condemnation of the use which is made of the illness, the form is a \u00ab\u00a0cine-tract\u00a0\u00bb. The film reveals itself through its oration, it is in fact a film of words.<\/p>\n<\/div>\n

\n

\"Sid<\/a><\/p>\n

The use of text allows a distanciation in relation to the effects being used, these are reintroduced by the appearance and treatment of the words which condition the reading of the film, here is the violence of the film which literally partners the act denunciation.
\nA critique of the arguments and images in other words of the consummation of the words which surround Aids. SID A IDS primarily investigates the reaction to the illness in the context of a French vantage point. The film attempts to favourise an emerging reflection on Aids while remaining within the practice of experimental cinema.<\/p>\n

About AIDS, see\u00a0Act Up<\/a><\/i><\/p>\n

L\u2019apparition du Sida a d\u00e9clench\u00e9 une hyst\u00e9rie m\u00e9diatique \u00e0 la faveur d\u2019un retour \u00e0 l\u2019ordre moral effr\u00e9n\u00e9. Face \u00e0 la d\u00e9nonciation, victimisation et discrimination des malades, ce film tente sous la forme du tract cin\u00e9matographique d\u2019articuler une d\u00e9nonciation de l\u2019usage qui est fait de la maladie selon une forme visuelle particuli\u00e8re. Le film se met en sc\u00e8ne par son discours ; il s\u2019agit en effet d\u2019un film de mots. L\u2019utilisation d\u2019un texte permet d\u2019instaurer une distance par rapport aux affects en jeux, mais ceux-ci seront r\u00e9introduits par l\u2019apparition et le traitement des mots qui conditionnent la lecture du film ; d\u2019o\u00f9 la violence visuelle du film qui accompagne litt\u00e9ralement la d\u00e9nonciation. Une critique du discours et des images, en un mot de la production et consommation des mots autour du Sida. SID A IDS interroge principalement la r\u00e9ponse \u00e0 la maladie telle qu\u2019elle a \u00e9t\u00e9 faite en France. Le film tente de favoriser l\u2019\u00e9mergence d\u2019une r\u00e9flexion par rapport au Sida sans mettre hors jeu une pratique cin\u00e9matographique exp\u00e9rimentale. Film r\u00e9alis\u00e9 dans le cadre de SI FILM DA.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The appearance of Aids unleashed media hysteria in favor of a rapid return of a moral order.Faced with this situation of denunciation, victimization and discrimination against people living with Aids, this film, using a specific visual form, attempts to articulate a condemnation of the use which is made of the illness, the form is a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[41,60,62,61,59],"class_list":["post-243","post","type-post","status-publish","format-standard","hentry","category-films","tag-aids","tag-gay","tag-homo","tag-queer","tag-sida"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=243"}],"version-history":[{"count":4,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/243\/revisions"}],"predecessor-version":[{"id":776,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/243\/revisions\/776"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}