{"id":245,"date":"2014-03-10T12:30:28","date_gmt":"2014-03-10T11:30:28","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=245"},"modified":"2014-07-27T15:12:39","modified_gmt":"2014-07-27T14:12:39","slug":"weve-got-the-red-blues","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=245","title":{"rendered":"We\u2019ve Got the Red Blues"},"content":{"rendered":"<div>\n<p>\u00ab\u00a0In 1991, beauvais completed an artistically very successful diarist film on the Soviet union,\u00a0<i>We\u2019ve Got the Red Blues<\/i>, which mixes travelling footage shot on a trip to Moscow and Riga In October 1990 with repeating visual quotations from Eisenstein\u2019s<i>October<\/i>\u00a0and Dziga Vertov\u2019\u00a0<i>The Man with a Movie Camera<\/i>.\u00a0\u00bb Lawrence MacDonald.<\/p>\n<\/div>\n<div>\n<p>Intermittent music from Olivier Messian\u00a0<i>Quatuor pour la fin du temps<\/i>.<\/p>\n<p>Son :\u00a0<i>Quatuor pour la fin du temps<\/i>\u00a0d\u2019Olivier Messiaen<\/p>\n<p>\u00ab\u00a0Un voyage \u00e0 Riga et \u00e0 Moscou \u00e0 l\u2019automne 1990. Confrontation entre la r\u00e9alit\u00e9 des lieux et une m\u00e9moire cin\u00e9matographique de certains de ces m\u00eames lieux.<\/p>\n<p>Glissements d\u2019images ouvrant certains ab\u00eemes mineurs.<\/p>\n<p>\u00ab\u00a0<i>We\u2019ve Got the Red Blues<\/i>\u00a0est le film que beauvais a rapport\u00e9 d\u2019un voyage \u00e0 travers l\u2019ex-URSS, en compagnie de Vivian Ostrovsky, dans les ann\u00e9es qui ont imm\u00e9diatement suivi la chute du mur. \u00c0 Riga puis \u00e0 Moscou, sa cam\u00e9ra a \u00e9t\u00e9 t\u00e9moin de la mutation en cours (d\u00e9boulonnage des statues, splendeur retrouv\u00e9e des \u00e9glises orthodoxes) et des pr\u00e9mices de d\u00e9composition sociale; la vision apocalyptique d\u2019un pays domin\u00e9 par la mis\u00e8re humaine et l\u2019architecture stalinienne est renforc\u00e9e par le Quatuor pour la fin du temps d\u2019Olivier Messiaen. yann beauvais avait film\u00e9 les jardins de Tivoli en se r\u00e9f\u00e9rant au film de Kenneth Anger : Tivoli vu par beauvais avait des airs d\u2019Eaux d\u2019artifice revu par beauvais. We\u2019ve Got the Red Blues s\u2019appuie sur un mode r\u00e9f\u00e9rentiel identique en citant Vertov et Eisenstein. yann beauvais int\u00e8gre dans le cours de son montage des images d\u2019Octobre (1927) et de L\u2019Homme \u00e0 la cam\u00e9ra (1929), utilisant le contraste dramatique provoqu\u00e9 par le passage du temps. L\u2019utopie et l\u2019enthousiasme d\u2019une g\u00e9n\u00e9ration d\u2019artistes convaincus d\u2019\u00e9difier l\u2019art d\u2019une soci\u00e9t\u00e9 nouvelle face \u00e0 la d\u00e9convenue de notre \u00e9poque, l\u2019histoire en marche face \u00e0 la fin de l\u2019histoire, l\u2019esp\u00e9rance face \u00e0 la d\u00e9sillusion.<br \/>\nDans\u00a0<i>We\u2019ve Got the Red Blues<\/i>, beauvais joue de la conflagration d\u2019images fortement connot\u00e9es pour rendre compte, sans parole, de sa vision du monde. Il r\u00e9ussit le projet imagin\u00e9 il y a vingt-cinq ans de d\u00e9velopper un langage cin\u00e9matographique grandiose, sans pour autant n\u00e9gliger une implication personnelle et permanente dans la condition humaine contemporaine.\u00a0\u00bb Jean Michel Bouhours<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0In 1991, beauvais completed an artistically very successful diarist film on the Soviet union,\u00a0We\u2019ve Got the Red Blues, which mixes travelling footage shot on a trip to Moscow and Riga In October 1990 with repeating visual quotations from Eisenstein\u2019sOctober\u00a0and Dziga Vertov\u2019\u00a0The Man with a Movie Camera.\u00a0\u00bb Lawrence MacDonald. Intermittent music from Olivier Messian\u00a0Quatuor pour la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-245","post","type-post","status-publish","format-standard","hentry","category-films"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=245"}],"version-history":[{"count":2,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/245\/revisions"}],"predecessor-version":[{"id":542,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/245\/revisions\/542"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}