{"id":253,"date":"2014-03-10T16:12:13","date_gmt":"2014-03-10T15:12:13","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=253"},"modified":"2015-08-26T14:31:11","modified_gmt":"2015-08-26T13:31:11","slug":"enjeux","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=253","title":{"rendered":"Enjeux (Fr, GB, Galician)"},"content":{"rendered":"
\n

\"enjeux<\/a><\/p>\n<\/div>\n

\n

Ce film, reprend le travail entam\u00e9 par\u00a0\u00c9liclipse<\/i>. Au lieu de multiplier les objets, on s\u2019est limit\u00e9 ici, en fonction de l\u2019analyse des travaux pr\u00e9c\u00e9dents, \u00e0 un seul objet, l\u2019Arc de triomphe. Parmi de nombreuses variations offertes, nous en avons s\u00e9lectionn\u00e9 une trentaine qui furent d\u00e9coup\u00e9es verticalement, horizontalement et en diagonale. Le film, tr\u00e8s dense, ramass\u00e9, tente de fa\u00e7onner la perception au moyen de traitements cin\u00e9matographiques sp\u00e9cifiques qui accumulent des informations contradictoires, divergentes et paradoxales.<\/p>\n

\u0152uvre appartenant au Network One (Cardiff) et \u00e0 la French Library (Boston).<\/p>\n

https:\/\/www.youtube.com\/watch?v=JXQaOv-z2jE<\/a><\/p>\n

\u00ab\u00a0Based on the notion that \u00ab\u00a0history flows through monuments\u00a0\u00bb,\u00a0Enjeux<\/i>\u00a0attempts to deconstructs a powerful symbol, the Arc de Triomphe. By cutting photographs of the monuments taken from various vantage points reassembling them ananimating them, the film restructures the architectural elements of the object. Through quetionning the perceptual and the cinematic by working on both the visual and the symbolic,\u00a0
\n<\/i>creates a paradoxical play on power, representation and pleasure.\u00a0\u00bb Michael Maziere<\/p>\n

\u00ab\u00a0The main issue. Power and representation. Representation through a power symbol : an arch. Arc de Triomphe.\u00a0\u00bbyb<\/p>\n

Film belonging to Network One (Cardiff) and to the French Library (Boston).<\/p>\n

\u00a0\u00bb Yann Beauvais \u00e9 o fundador da revista Scratch<\/em> e de, con Rose Lowder, a distribuidora Light Cone<\/em>; cr\u00edtico e promocionador do cinema experimental. O seu cinema, como o de Lowder ou Rhodes, enm\u00e1rcase dentro do post-estruturalismo\/materialismo, na busca de novas estratexias cinematogr\u00e1ficas que lle permitan expresar a sexualidade (Lowder e Rhodes como mulleres, Beauvais como homosexual) como en Vo\/id<\/em> (1986). A s\u00faa obra pivota entre unha pr\u00e1tica m\u00e1is puramente formal, na que xoga coa fragmentaci\u00f3n e o ritmo, e outra m\u00e1is persoal na que as preocupaci\u00f3ns pol\u00edticas adquiren un maior relevo.<\/p>\n

En Enjeux<\/em> a pantalla fragm\u00e9ntase como en certo cinema de Lowder (Scenes de la vie fran\u00e7aise<\/em> [1986]). Cada fotograma est\u00e1 dividido en arredor de quince franxas (horizontais, verticais, en diagonal ou misturadas) a trav\u00e9s de cuxa montaxe simult\u00e1nea percibimos tres planos diferentes do Arco de Triunfo (de frente, desde o ceo e en plano xeral ao final dos Campos El\u00edseos). Cada franxa recolle un fragmento dun destes tres planos distintos. Nunca se produce continuidade entre elas: as imaxes poden aparecer (en cada franxa) invertidas, desenfocadas, pertencer a outro dos tres planos, etc. Os cambios producidos son r\u00e1pidos. Cada secci\u00f3n (ou frase musical) sep\u00e1rase da seguinte con fotogramas brancos, que ao final se alongan e cambian de cor (cores p\u00e1lidas, rosa).<\/p>\n

A cor rosa tinxe ou superponse sobre as imaxes finais, diluindo a fronteira entre unha superposici\u00f3n real e unha \u201cconvivencia\u201d de franxas rosas e outras figurativas dentro do mesmo plano. Enjeux<\/em> \u00e9 un tapiz formado por tres f\u00edos figurativos e uns poucos m\u00e1is abstractos. A fragmentaci\u00f3n da pantalla \u00e9 a repetici\u00f3n en bucle levada ao interior do fotograma, o que produce un maior dinamismo visual. Os presupostos son os mesmos que os do cinema de Kren e o de Lowder: como a obra destes, Enjeux<\/em> \u00e9 unha pel\u00edcula c\u00edclica, anticlim\u00e1tica, eternamente presente e sempre din\u00e1mica.\u00a0\u00bb<\/p>\n

Alberte Pag\u00e1n in Introduci\u00f3n aos cl\u00e1sicos do cinema experimental 1945-1990 (CGAC, Compostela, 1999).\u00a0http:\/\/albertepagan.eu\/cinema\/livros\/introducion\/#nota<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Ce film, reprend le travail entam\u00e9 par\u00a0\u00c9liclipse. Au lieu de multiplier les objets, on s\u2019est limit\u00e9 ici, en fonction de l\u2019analyse des travaux pr\u00e9c\u00e9dents, \u00e0 un seul objet, l\u2019Arc de triomphe. Parmi de nombreuses variations offertes, nous en avons s\u00e9lectionn\u00e9 une trentaine qui furent d\u00e9coup\u00e9es verticalement, horizontalement et en diagonale. Le film, tr\u00e8s dense, ramass\u00e9, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-253","post","type-post","status-publish","format-standard","hentry","category-films"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=253"}],"version-history":[{"count":8,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/253\/revisions"}],"predecessor-version":[{"id":1279,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/253\/revisions\/1279"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}