{"id":260,"date":"2014-03-10T16:18:18","date_gmt":"2014-03-10T15:18:18","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=260"},"modified":"2014-07-27T15:04:36","modified_gmt":"2014-07-27T14:04:36","slug":"rr","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=260","title":{"rendered":"RR"},"content":{"rendered":"<div>\n<p>Deux \u00e9crans permettent ici de souligner le paradigme musical dans la mesure o\u00f9 quelle que soit la position que l\u2019on donne aux bobines (droite ou gauche) \u00e0 la projection, on aura toujours affaire \u00e0 un th\u00e8me se d\u00e9veloppant simultan\u00e9ment avec son reflet. D\u00e9veloppement en inversion du m\u00eame th\u00e8me que la musique a exploit\u00e9. L\u2019usage du miroir permet d\u2019\u00e9viter la question de la r\u00e9alit\u00e9 de la repr\u00e9sentation. Celle-ci n\u2019a pas d\u2019importance puisque nous sommes dans le royaume du reflet, du simulacre. Impossibilit\u00e9 de d\u00e9terminer donc qui est le reflet de quoi. Les deux images fonctionnant comme le reflet l\u2019une de l\u2019autre dans un incessant va et vient qui r\u00e9p\u00e8te, dans une certaine mesure, le parcours que suivent les (faux) panoramiques constituant le film.<\/p>\n<\/div>\n<div>\n<p>Par le doublement en miroir du premier film, RR, d\u00e9voile de mani\u00e8re plus explicite la structure musicale implicite sur laquelle il \u00e9tait construit. Les images se mirant, tous \u00e9carts entre elles d\u00e9clenchent de subtiles variations \u00e9voquant les combinaisons \u00e0 partir d\u2019un th\u00e8me que toute improvisation convoque. Le film propose un d\u00e9veloppement tel dans sa forme et ses mouvements lat\u00e9raux que son doublement dans la dur\u00e9e, et sa projection invers\u00e9e gauche droite souligne les qualit\u00e9s de sym\u00e9tries inh\u00e9rentes \u00e0 sa spatialisation, \u00e0 son expansion.<\/p>\n<p>\u0152uvre appartenant \u00e0 une collection priv\u00e9e et aux Archives du film exp\u00e9rimental (Avignon).<\/p>\n<p>En savoir plus sur\u00a0<a href=\"https:\/\/yannbeauvais.com\/archives\/fr\/articles_RR.html\"><i>R, RR et Quatr\u2019un<\/i><\/a>.<\/p>\n<div>\n<p>1976-85, no specific version, 16 mm, B&amp;W, silent, 24 fps<\/p>\n<\/div>\n<div>\n<p>Any attribution for left and right will always induce a mirror image. It is therefore impossible to decide which screen mimes the other. Both produce a specific experience around the notion of fugue which was so important in baroque music.<\/p>\n<p>Film belonging to a private collection and to the Archives du film exp\u00e9rimental (Avignon).<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Deux \u00e9crans permettent ici de souligner le paradigme musical dans la mesure o\u00f9 quelle que soit la position que l\u2019on donne aux bobines (droite ou gauche) \u00e0 la projection, on aura toujours affaire \u00e0 un th\u00e8me se d\u00e9veloppant simultan\u00e9ment avec son reflet. D\u00e9veloppement en inversion du m\u00eame th\u00e8me que la musique a exploit\u00e9. L\u2019usage du [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[69,56,70,68],"class_list":["post-260","post","type-post","status-publish","format-standard","hentry","category-films","tag-double-ecran","tag-music-film","tag-musique-film","tag-twin-scree"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=260"}],"version-history":[{"count":2,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/260\/revisions"}],"predecessor-version":[{"id":535,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/260\/revisions\/535"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}