{"id":266,"date":"2014-03-11T00:43:52","date_gmt":"2014-03-10T23:43:52","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=266"},"modified":"2014-10-29T00:41:31","modified_gmt":"2014-10-28T23:41:31","slug":"temps-de-metre","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=266","title":{"rendered":"Temps de m\u00e8tre"},"content":{"rendered":"<div>\n<p>Interrogation sur les unit\u00e9s dites minimes du cin\u00e9ma. La conjugaison de ces unit\u00e9s produirait du sens. Valeur ou petit trait\u00e9 de la communication, le m\u00e8tre s\u2019impose et nous \u00e9puise par sa superbe, son \u00e9ternit\u00e9. R\u00e9p\u00e9tition quand tu nous tiens&#8230; \u00ab Temps de m\u00e8tre est son film le plus pur, le plus dur, car c\u2019est une pr\u00e9sentation des unit\u00e9s de mesure : le photogramme, la pellicule, l\u2019\u00e9cran, le temps et bien s\u00fbr, le m\u00e8tre. Le film est syst\u00e9matique et uniforme comme se doit de l\u2019\u00eatre toute unit\u00e9 de mesure; les variantes rythmiques, les accelerando, et les ritardando qu\u2019on croit voir dans l\u2019\u00e9coulement de ce m\u00e8tre \u00e9lastique ne sont que des illusions r\u00e9tiniennes et\/ou c\u00e9r\u00e9brales. \u00bb Deke Dusinberre.<\/p>\n<\/div>\n<div>\n<p><a href=\"https:\/\/yannbeauvais.com\/wp-content\/uploads\/2014\/03\/Temps-de-metre-100-00.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-863\" alt=\"Temps de metre 100 : 00\" src=\"https:\/\/yannbeauvais.com\/wp-content\/uploads\/2014\/03\/Temps-de-metre-100-00-300x204.png\" width=\"300\" height=\"204\" srcset=\"https:\/\/yannbeauvais.com\/wp-content\/uploads\/2014\/03\/Temps-de-metre-100-00-300x204.png 300w, https:\/\/yannbeauvais.com\/wp-content\/uploads\/2014\/03\/Temps-de-metre-100-00.png 457w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>\u0152uvre appartenant au Museum of Modern Art (New York).<\/p>\n<div>\n<p>1980, 17\u2019, 16 mm, color, silent, 24 fps<\/p>\n<\/div>\n<div>\n<p>Either the meter : unit of measure.<br \/>\nEither the frame : space time unit within the film strip.<br \/>\nEither 24fps : speed unit of the apparatus.<br \/>\nEither the screen : canvas without retina, the meter at it\u2019s square.<br \/>\nEither the projection : the meter taken to its cube.<\/p>\n<p>The sum total of these units produces its meaning. Abstract value or short essay on communication, the meter dictates, tires us by its arrogance, its relentlessness.<br \/>\nThe tacit agreement is what is at stake in this film whose screening at the limit is superfluous. In this sense it also questions the measure of the maitre.<\/p>\n<p>Film belonging to the Museum of Modern Art (New York)<\/p>\n<\/div>\n<p><a href=\"https:\/\/yannbeauvais.com\/wp-content\/uploads\/2014\/03\/Temps-de-metre-Contact-print-and-rephopographed-meter-.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-864\" alt=\"Temps de metre Contact print  and  rephopographed meter\" src=\"https:\/\/yannbeauvais.com\/wp-content\/uploads\/2014\/03\/Temps-de-metre-Contact-print-and-rephopographed-meter--251x300.png\" width=\"251\" height=\"300\" srcset=\"https:\/\/yannbeauvais.com\/wp-content\/uploads\/2014\/03\/Temps-de-metre-Contact-print-and-rephopographed-meter--251x300.png 251w, https:\/\/yannbeauvais.com\/wp-content\/uploads\/2014\/03\/Temps-de-metre-Contact-print-and-rephopographed-meter-.png 454w\" sizes=\"auto, (max-width: 251px) 100vw, 251px\" \/><\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Interrogation sur les unit\u00e9s dites minimes du cin\u00e9ma. La conjugaison de ces unit\u00e9s produirait du sens. Valeur ou petit trait\u00e9 de la communication, le m\u00e8tre s\u2019impose et nous \u00e9puise par sa superbe, son \u00e9ternit\u00e9. R\u00e9p\u00e9tition quand tu nous tiens&#8230; \u00ab Temps de m\u00e8tre est son film le plus pur, le plus dur, car c\u2019est une [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[155,79,81,80],"class_list":["post-266","post","type-post","status-publish","format-standard","hentry","category-films","tag-art-conceptuel","tag-meter","tag-repetition","tag-temps"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=266"}],"version-history":[{"count":4,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/266\/revisions"}],"predecessor-version":[{"id":865,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/266\/revisions\/865"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}