{"id":268,"date":"2014-03-11T12:01:08","date_gmt":"2014-03-11T11:01:08","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=268"},"modified":"2014-10-29T01:10:32","modified_gmt":"2014-10-29T00:10:32","slug":"disjet","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=268","title":{"rendered":"Disjet"},"content":{"rendered":"
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Film d\u00e9di\u00e9 \u00e0 Miles McKane.\u00a0Disjet<\/i>\u00a0n\u2019est pas \u00e0 proprement parler un journal film\u00e9, il ne respecte pas la chronologie des \u00e9v\u00e9nements, il met en situation, en \u00e9cho des \u00e9v\u00e9nements.<\/p>\n<\/div>\n

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La plupart du film est en n\u00e9gatif couleur, parfois noir et blanc, conf\u00e9rant aux images une nature particuli\u00e8re : m\u00e9moire de l\u2019image \u00e0 venir. Image qui ne vient que rarement dans sa forme habituelle.<\/p>\n

\"Disjet<\/a><\/p>\n

\u00ab\u00a0Disjet<\/i>, le reportage film\u00e9 d\u2019un voyage, qui ne se pr\u00e9occupe gu\u00e8re de l\u2019ordre chronologique des \u00e9v\u00e9nements. Des images de la C\u00f4te d\u2019azur des ann\u00e9es septante se font l\u2019\u00e9cho d\u2019images de la m\u00eame c\u00f4te dans les ann\u00e9es cinquante. Des \u00eeles italiennes se retrouvent en mer du Nord. La couleur se m\u00e9lange au noir et blanc, les positifs aux n\u00e9gatifs, les prises personnelles aux plans trouv\u00e9s, le tout se fondant en un palimpseste dans lequel le temps et l\u2019espace semblent se multiplier \u00e0 l\u2019infini. \u00bb Willem De Greef<\/p>\n

\"disjet<\/a><\/p>\n

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\u00ab\u00a0BEWARE! Cushions and cosy-on-the-sofa can\u2019t cosset you, this ain\u2019t no OUR HOLIDAY slide show: diagonal splice slicing the screen; scene-stealing negative\/positive images wrestling their way in from opposite directions; dizzy turquoise fruit blossoming amongst silver leaves, scarlet sky and emerald-edged clouds a backdrop; strange cacti fountain-burst amongst pale violet plants; a wave turned upside down to tumble from overhead like a roof caving in, inside-out spume retracting, scrolled, unfurled; summer showers give golden a whole new meaning; travelling the tune scent length of water spurt; erotic fringes of foam; ti voglio bene, assai assai a sigh; immolation in grey flames like plumped-up pillows of plumes; triumphal arch jives and shimmies, architectural hussy flaunting itself from every angle, CHECK OUT THESE MOVES, would that you could twist so good; strobing bands of color like neon lights flickering in a fever dream; vertical gliding\/shuddered horizontal arrivals\/mounting, rising,\/liquid projectiles\/molten water like metallic sap\/night\/day light beneath a bridge into a tunnel chopped and backtracked never getting there until phew, you\u2019re through.\u00a0\u00bb Sandra Reid<\/p>\n

 <\/p>\n

This film is dedicated to Miles McKane<\/p>\n

\u00ab\u00a0Disjet<\/i>\u00a0is a diary which takes on memory, personal and social memory a trace of events which from echo to echo summon up others; and in its way landscapes which lead to distant memories thus call forth some more recent. From a window, others appear; trace of various places of dwelling or transit. The negative allows the memory to form in scattered units; usually the positive is used in filmed diaries (is that not so of reality ,), but, the positive makes visual reference too easily and more readily constitutes the beginning of a narration. With the negative the visions become painterly, formal in one sense, more adequate for the composing elements of memory. These does not exist a tidy memory, one well-defined (order enforced), gathered up, precise. Nothing of all of that, just some scattered fragments, some flights in rhythm. Memory is first of all formal, memory has little to do with stories, subjects… Memory is the power of the lapse of memory.\u00a0\u00bb yb 83<\/p>\n

 <\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Film d\u00e9di\u00e9 \u00e0 Miles McKane.\u00a0Disjet\u00a0n\u2019est pas \u00e0 proprement parler un journal film\u00e9, il ne respecte pas la chronologie des \u00e9v\u00e9nements, il met en situation, en \u00e9cho des \u00e9v\u00e9nements. La plupart du film est en n\u00e9gatif couleur, parfois noir et blanc, conf\u00e9rant aux images une nature particuli\u00e8re : m\u00e9moire de l\u2019image \u00e0 venir. Image qui ne […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[83,82],"class_list":["post-268","post","type-post","status-publish","format-standard","hentry","category-films","tag-diary","tag-journal-filme"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=268"}],"version-history":[{"count":4,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/268\/revisions"}],"predecessor-version":[{"id":870,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/268\/revisions\/870"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}