{"id":287,"date":"2014-03-11T12:59:36","date_gmt":"2014-03-11T11:59:36","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=287"},"modified":"2014-11-04T14:54:14","modified_gmt":"2014-11-04T13:54:14","slug":"divers-epars","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=287","title":{"rendered":"Divers-\u00e9pars"},"content":{"rendered":"
\n

Fr, En, Pt<\/p>\n

Ce film est une suite de s\u00e9quences tourn\u00e9es ou trouv\u00e9es (de – autour des – villes que je fr\u00e9quente) et qui dans leur montage exposent une fluidit\u00e9 et une continuit\u00e9 qui \u00e9chappent \u00e0 la narration. Le montage propos\u00e9 travaille les s\u00e9quences selon divers agencements qui respectent le sens possible du film : passage d\u2019un lieu \u00e0 l\u2019autre, d\u2019un moment \u00e0 l\u2019autre. Passer, aller d\u2019un po(i)nt \u00e0 un autre, c\u2019est se transformer, devenir autre. Le film fait appel \u00e0 des quasi-leitmotive qui relancent le flux et facilitent les transformations diverses de l\u2019\u00e9pars des sensations. Ce film renoue avec le lyrisme sans pour autant renier le formalisme mais l\u2019utilise autrement, en tenant compte du sens, des sens possibles que produisent les images et leurs encha\u00eenements.<\/p>\n<\/div>\n

\n

\u00ab Musique liquide des passages \/ sous tous les angles \u00e9parpill\u00e9s \/ bateau – fontaine – marbre mouill\u00e9 par une vague perp\u00e9tuelle et parfois bleue – rives de pierre – pont – temps noirs – po\u00e8me des glissements au travers des villes. Alban Berg. Silhouette fugace \u00e0 la fen\u00eatre – ouverte – contre-jour et fer forg\u00e9 – circulation – leitmotiv – incandescence des tubulures – encha\u00eenement fluide et pr\u00e9cis des sensations – diverses \/ \u00e9parses – superbes d\u2019intensit\u00e9. \u00bb Loux.<\/p>\n

Son : extrait de Lulu Suite, d\u2019Alban Berg<\/p>\n

\u0152uvre appartenant \u00e0 une collection priv\u00e9e, aux Archives du film exp\u00e9rimental (Avignon), au Mus\u00e9e National d\u2019Art Moderne (Centre Georges Pompidou) et au Forum des Images (Vid\u00e9oth\u00e8que de Paris).<\/p>\n

\"Divers<\/a><\/p>\n

\u00ab\u00a0Glimpse of cities, countryside, rivers. Intriguing, fleeting images of Florence, London and particularly Paris -clearly the filmmaker\u2019s home, so intense is his vision of it, so strong his attraction to its lifeblood, the Seine. The eerie colors of the bateau-mouche floodlights blend with a purely filmic chromatic intensity. The textures, the meticulous montage, the alluring colors, create something of the same celebration of place through provocative artifice found in Christo\u2019s wrapped Pont Neuf (which is fleetingly seen in the film).
\nBringing some of Amoroso \u2019s Roman passion home to the city which inspired the imposing formality of his earlier films, Beauvais begins to merge the two poles of his works. The synthesis is exciting. \u00a0\u00bb Scott Hammen.<\/p>\n

This film is a series of shot or found sequences (about, of cities that I frequent) which, in the editing, display a fluidity and continuity eluding narration. The sequences are shaped by the editing according to various arrangements which respect the film possible direction: passage from one place to another, from one moment to another.
\nTo pass, bridging one point to another, is to transform oneself, become other. The film employs certain leitmotivs which relauch the flow and facilitate diverse transformations of scattered sensations. This film, although renewing lyricism, does not deny formalism which it uses in another manner, while taking into account the meaning\/possible meanings produced through linking images and their evocative passage.<\/p>\n

Sound : extract from Lulu Suite, by Alban Berg<\/p>\n

Film belonging to a private collection, to the Archives du film exp\u00e9rimental (Avignon), to the Mus\u00e9e National d\u2019Art Moderne (Centre Georges Pompidou) and to the Forum des Images (Vid\u00e9oth\u00e8que de Paris)<\/p>\n

Este filme \u00e9 uma serie de seq\u00fc\u00eancias realizadas ou encontradas (sobre as cidades que eu frequento) que, na edi\u00e7\u00e3o, apresenta uma fluidez e continuidade iludindo a narra\u00e7\u00e3o. As seq\u00fc\u00eancias s\u00e3o moldadas pela edi\u00e7\u00e3o de acordo com v\u00e1rios arranjos que respeitem a dire\u00e7\u00e3o de um cinema poss\u00edvel: a passagem de um lugar para outro, de um momento para outro. Passar, unindo um ponto a outro, \u00e9 transformar-se, tornar-se outro.<\/p>\n

Som extrato de Lulu Suite, Alban Berg.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Fr, En, Pt Ce film est une suite de s\u00e9quences tourn\u00e9es ou trouv\u00e9es (de – autour des – villes que je fr\u00e9quente) et qui dans leur montage exposent une fluidit\u00e9 et une continuit\u00e9 qui \u00e9chappent \u00e0 la narration. Le montage propos\u00e9 travaille les s\u00e9quences selon divers agencements qui respectent le sens possible du film : […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[83,82],"class_list":["post-287","post","type-post","status-publish","format-standard","hentry","category-films","tag-diary","tag-journal-filme"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=287"}],"version-history":[{"count":5,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/287\/revisions"}],"predecessor-version":[{"id":978,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/287\/revisions\/978"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}