{"id":297,"date":"2014-03-11T13:13:59","date_gmt":"2014-03-11T12:13:59","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=297"},"modified":"2014-11-04T14:45:36","modified_gmt":"2014-11-04T13:45:36","slug":"still-life","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=297","title":{"rendered":"Still Life"},"content":{"rendered":"
\n

Fr, En, Pt<\/p>\n

http:\/\/www.ubu.com\/film\/beauvais_still.html<\/a><\/p>\n<\/div>\n

\n

Ce film fait se c\u00f4toyer plusieurs discours vis-\u00e0-vis du VIH \/ sida. D\u2019un c\u00f4t\u00e9 des textes \u00e9crits en anglais et en fran\u00e7ais (qui traduit quoi) apparaissent \u00e0 l\u2019\u00e9cran \u00e0 des vitesses variables et selon plusieurs modalit\u00e9s rythmiques, de l\u2019autre c\u00f4t\u00e9 sur la bande-son : des voix d\u2019hommes. Les discours et les exp\u00e9riences du sida se croisent et font surgir par la fragmentation des modes d\u2019\u00e9nonc\u00e9s qui articulent le politique au subjectif selon des modalit\u00e9s visuelles particuli\u00e8res.
\nLe sida n\u2019a pas disparu avec la trith\u00e9rapie. On le banalise pour mieux l\u2019occulter. Ce film inscrit aux travers de confrontations, des ruptures dans notre appr\u00e9hension du VIH et du sida.
\nEngagement d\u2019un individu face \u00e0 une civilisation qui promeut la disparition comme mode de vie. Il s\u2019agit d\u2019affirmer une alt\u00e9rit\u00e9 dans cette belle homog\u00e9n\u00e9it\u00e9 aseptis\u00e9e. SonActus Tragicus<\/i>\u00a0de Jean S\u00e9bastien Bach,\u00a0Blue<\/i>\u00a0de Derek Jarman, David Wojnarowicz et Ben Neil, yann beauvais.<\/p>\n

\"photo<\/a><\/p>\n

\u00ab\u00a0D\u00e8s les premi\u00e8res secondes du film, le ton est donn\u00e9 : l\u2019association d\u2019un texte incisif \u00e0 une musique baroque douce et l\u00e9g\u00e8re cr\u00e9e une atmosph\u00e8re incertaine, instable. Au regard du th\u00e8me, cette musique r\u00e9sonne de fa\u00e7on ind\u00e9cidable (du moins en ce qui me concerne) entre commentaire ironique de la situation (go\u00fbt du d\u00e9calage), m\u00e9lancolie et expression m\u00e9tonymique d\u2019une volont\u00e9, d\u2019une pr\u00e9sence. C\u2019est tout cela \u00e0 la fois : aiguiser une critique sans oublier les autres et tout en affirmant une existence. D\u00e9j\u00e0 le titre, Still Life, \u00ab toujours en vie \u00bb suppose une douleur, celle \u00e9prouv\u00e9e face \u00e0 l\u2019h\u00e9catombe parmi les malades, un trouble (\u00ab pourquoi pas moi ? \u00bb), mais aussi une r\u00e9sistance (\u00e0 l\u2019exclusion, \u00e0 la fatalit\u00e9) : toujours l\u00e0. Enfin ce terme est aussi l\u2019\u00e9quivalent anglais de \u00ab nature morte \u00bb… Le rapport complexe \u00e0 cette \u0153uvre alliant d\u00e9calage (d\u00e9construction) et proposition (construction) se r\u00e9sout dans une autre logique qui nous fait ressentir notre propre difficult\u00e9 \u00e0 concevoir la pluralit\u00e9, l\u2019int\u00e9rieur et l\u2019ext\u00e9rieur, le priv\u00e9 et le public… La \u00ab d\u00e9stabilisation \u00bb du spectateur, par cette combinaison intense de sensations et de significations, est une juste manifestation au regard du drame multidimensionnel abord\u00e9. Le seul moyen d\u2019affronter la somme d\u2019informations transmises, c\u2019est l\u2019\u00e9nergie qui traverse le film. Et celui-ci, alors vigoureux appel \u00e0 vigilance, notamment \u00e0 l\u2019\u00e9gard des m\u00e9diatisations de la maladie, \u00e9vite une attitude mortif\u00e8re. Le passage entre personnel et politique, men\u00e9 comme un besoin profond, renouvelle (r\u00e9veille) fortement notre id\u00e9e de la maladie, en la resituant dans une vision panoramique. Et donc au-del\u00e0 du sida – ce n\u2019est pas un film sur le sida\u00a0-, c\u2019est la d\u00e9fense globale d\u2019une conscience alerte et ouverte qui est signifi\u00e9e. Partant de ce qui l\u2019a touch\u00e9, le cin\u00e9aste r\u00e9v\u00e8le l\u2019ampleur d\u2019une barbarie, mais sans se complaire dans un r\u00f4le de d\u00e9nonciateur, car lui-m\u00eame s\u2019expose et il tente aussi de revivifier par l\u2019expression de la pluralit\u00e9.\u00a0\u00bb Denis Chevalier<\/p>\n

\u0152uvre appartenant aux Archiv der Internationalen Kurzfilmtage (Oberhausen) et \u00e0 la M\u00e9diath\u00e8que de l\u2019\u00c9cole nationale Sup\u00e9rieure des Beaux-Arts (Paris).<\/p>\n

voir le film en ligne\u00a0http:\/\/www.ubu.com\/film\/beauvais_still.html<\/a><\/p>\n

Sur la question du sida, voir\u00a0Act Up<\/a><\/i><\/p>\n

This film considers the subject of HIV and AIDS from a variety of different view points. On the one hand using textual material in both English and French which appears on screen at different speeds and rhythms, and on the other, articulated by the appearance of human voice on the sound track.
\nBoth the observations and experiences concerning AIDS overlap with one another and emerge in fragmentary form, whereby the policies persued regarding this subject are represented through the application of specific visual modalities.
\nAIDS hasn\u2019t disappear as a new result of tritherapy : AIDS is being trivialized to make it easier to conceal. By employing constant confrontation as a technique, this films manages to build bridges regarding our attitudes toward HIV and AIDS.
\nIt is a story of a person confronted with a civilization which promotes deaths as a way of life: and its attempts to confirm that something else exist beyond this wonderful antiseptic-homogenous society in which we live.<\/p>\n

\"still<\/a><\/p>\n

\u00ab\u00a0I did manage to see at last Still Life which was fast so fast and impelled by furious energy of the right now and urgency of this debate which is no debate at all perhaps about aids and dying and invisibility and the strong words flowing like rain like bodies like sores between rainbow flags of a pride nation which is dwindling not shrinking away but slowly erased in the face of this unending plague which has not slowed at all in most of the world because the lives there are cheap and medicine and technology are expensive, much more expensive than humans. Wonderful outrage and anger, it\u2019s funny, as I watched it I felt: I miss this, this wonderful anger, and wanted to thank you for giving it back to me, for this gift.\u00a0\u00bb Mike Hoolboom 10 25 01<\/p>\n

Film belonging to the Archiv der Internationalen Kurzfilmtage (Oberhausen) and to the M\u00e9diath\u00e8que de l\u2019\u00c9cole nationale Sup\u00e9rieure des Beaux-Arts (Paris)<\/p>\n

Este filme considera o tema da AIDS e do HIV a partir de uma variedade de vista diferentes. Por um lado, usando material em ingl\u00eas, franc\u00eas, que aparece na tela em diferentes velocidades e ritmos, e por outro lado, articulado pelo aparecimento da voz humana na trilha sonora. Tanto as observa\u00e7\u00f5es e experi\u00eancias sobre AIDS se sobrep\u00f5em umas com as outras e emergem de forma fragment\u00e1ria, em que as pol\u00edticas prosseguidas a respeito desde assunto s\u00e3o representadas atrav\u00e9s da aplica\u00e7\u00e3o de modalidades visuais especificas. A AIDS n\u00e3o desapareceu como resultado da triterapia: a AIDS est\u00e1 sendo banalizada para torn\u00e1-la mais f\u00e1cil de se esconder.<\/p>\n

Watch the film on line :http:\/\/www.ubu.com\/film\/beauvais_still.html<\/a><\/p>\n

about aids\u00a0http:\/\/www.actupny.org\/\u00a0<\/a>,\u00a0https:\/\/www.visualaids.org\/<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Fr, En, Pt http:\/\/www.ubu.com\/film\/beauvais_still.html Ce film fait se c\u00f4toyer plusieurs discours vis-\u00e0-vis du VIH \/ sida. D\u2019un c\u00f4t\u00e9 des textes \u00e9crits en anglais et en fran\u00e7ais (qui traduit quoi) apparaissent \u00e0 l\u2019\u00e9cran \u00e0 des vitesses variables et selon plusieurs modalit\u00e9s rythmiques, de l\u2019autre c\u00f4t\u00e9 sur la bande-son : des voix d\u2019hommes. Les discours et les […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[95,41,94,93,60,59],"class_list":["post-297","post","type-post","status-publish","format-standard","hentry","category-films","tag-activism","tag-aids","tag-film-text","tag-film-texte","tag-gay","tag-sida"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=297"}],"version-history":[{"count":6,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/297\/revisions"}],"predecessor-version":[{"id":974,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/297\/revisions\/974"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}