{"id":341,"date":"2014-03-11T16:45:34","date_gmt":"2014-03-11T15:45:34","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=341"},"modified":"2014-07-27T14:06:35","modified_gmt":"2014-07-27T13:06:35","slug":"pain-bagna","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=341","title":{"rendered":"Pain Bagna"},"content":{"rendered":"<div>\n<div>\n<p>\u00a0cor\u00e9alis\u00e9 avec Edson Barrus<\/p>\n<\/div>\n<div>\n<p>Des films de famille 16mm des ann\u00e9es 70 sur la c\u00f4te d\u2019Azur, re-film\u00e9s en num\u00e9rique lors de leurs projections.<br \/>\nLe montage fait dans \u00e0 la cam\u00e9ra par un cin\u00e9aste anonyme n\u2019est pas plus \u00e9labor\u00e9 que la succession des plans composant chaque bobine, dans lequel on ressent ce d\u00e9sir de bien faire, du film.<br \/>\nLe l\u00e9ger ralentissement lors de la projection, conjugu\u00e9 au recadrage de l\u2019image, la transforme en un enregistrement soulign\u00e9 par l\u2019utilisation de l\u2019appareil photo num\u00e9rique.<br \/>\nUn montage secondaire a \u00e9t\u00e9 effectu\u00e9 afin d\u2019induire d\u2019autres rythmes de ces repr\u00e9sentations d\u2019un autre temps dont la seule trace serait ces quelques images vacillantes aux filages irr\u00e9guliers, aux grains t\u00e9nus, fortement marqu\u00e9e par un amateurisme sans qualit\u00e9.<br \/>\nOn souhaitait retrouver \u00e0 la projection la pratique de l\u2019enregistrement.<\/p>\n<\/div>\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">Film based on 16mm found footage from the 70\u2019s. They were diary films made on the French Riviera, which we refilmed while screening with a digital cam\u00e9ra.\u00a0<\/span><\/p>\n<\/div>\n<div>\n<p>The editing made by the anonymous filmmaker reflects the shooting. The slow motion due to the screening projection speed we choose and the reframing reshaped the document.<br \/>\nDuring the projection we were making new editing while shooting.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0cor\u00e9alis\u00e9 avec Edson Barrus Des films de famille 16mm des ann\u00e9es 70 sur la c\u00f4te d\u2019Azur, re-film\u00e9s en num\u00e9rique lors de leurs projections. Le montage fait dans \u00e0 la cam\u00e9ra par un cin\u00e9aste anonyme n\u2019est pas plus \u00e9labor\u00e9 que la succession des plans composant chaque bobine, dans lequel on ressent ce d\u00e9sir de bien faire, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[25],"class_list":["post-341","post","type-post","status-publish","format-standard","hentry","category-films","tag-found-footage"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=341"}],"version-history":[{"count":3,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/341\/revisions"}],"predecessor-version":[{"id":489,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/341\/revisions\/489"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}