{"id":349,"date":"2014-03-12T00:57:38","date_gmt":"2014-03-11T23:57:38","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=349"},"modified":"2014-10-13T10:30:46","modified_gmt":"2014-10-13T09:30:46","slug":"according-to","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=349","title":{"rendered":"According to&#8230;"},"content":{"rendered":"<div>\n<p>Installation \/ Performance 1979-80 Partition papier qui est \u00e0 la fois le film \u00e0 jouer en 16mm et la partition \u00e0 partir de laquelle Martin Davorine Jagodic a composer la pi\u00e8ce<\/p>\n<p>Paper Frozen Film Frame, \u00a0score for a 16mm projection \u00a0and score for music piece by Martin Davorine Jagodic<\/p>\n<\/div>\n<div>\n<p>Avec\u00a0<i>According to&#8230;<\/i>\u00a0je donnais \u00e0 Martin Davorin Jagodic la partition du film. L\u2019image pr\u00e9c\u00e9dait le son. Cette partition, cet objet \u00e9tait le frozen frame du film m\u00eame : contact d\u2019un ruban de papier perfor\u00e9 d\u2019articles \u00e9crits pour un journal.<br \/>\nSur le film, le ruban est perfor\u00e9 de deux mani\u00e8res. La premi\u00e8re : les petites perforations qui instaurent la continuit\u00e9 ; la seconde : de grosses perforations qui apparaissent et disparaissent de mani\u00e8re anarchique \u00e0 l\u2019\u00e9cran : s\u00e9rie de l\u2019al\u00e9atoire, de la discontinuit\u00e9. A partir de cette partition Martin Davorin Jagodic a con\u00e7u une bande-son qui en se limitant au r\u00e9sidu d\u2019un accord invers\u00e9 d\u2019un mouvement d\u2019une symphonie de Malher (la Quatri\u00e8me) permettait un jeu de variation constant qui ne r\u00e9p\u00e9tait ni n\u2019illustrait les variations de l\u2019image.<\/p>\n<p>\u00ab\u00a0Toute relation entre image et son est arbitraire. A l\u2019oppos\u00e9 d\u2019une trame narrative de l\u2019image qui cherche \u00e0 accr\u00e9diter la th\u00e8se d\u2019une identification possible entre les deux objets, une image qui ne repr\u00e9sente, montre la diff\u00e9rence objective entre le son et l\u2019image. Maintenant leurs relations ne peuvent qu\u2019\u00eatre formelles. Dans According to&#8230; de yann beauvais c\u2019est le m\u00eame mat\u00e9riau qui est \u00e0 la base aussi bien du film que de la musique. Plus pr\u00e9cis\u00e9ment pour la musique, ce n\u2019est pas le d\u00e9roulement, l\u2019encha\u00eenement des bandes de papier perfor\u00e9 tel qu\u2019il est r\u00e9alis\u00e9 cin\u00e9matographiquement, mais c\u2019est la partition m\u00eame (superposition de ces m\u00eames bandes) qui conditionne la formulation musicale. Actuellement ce travail n\u2019est pas termin\u00e9; il s\u2019agit plut\u00f4t, d\u2019une maquette qui fait entendre plusieurs types de mat\u00e9riaux utilis\u00e9s et d\u2019une des solutions possible de leur mise en forme. Dans la version d\u00e9finitive le nombre de superposition de ces \u00e9l\u00e9ments doit correspondre \u00e0 la globalit\u00e9 de partition de l\u2019image. Mais c\u2019est une globalit\u00e9 qui n\u2019est plus organis\u00e9e spatialement dans un cadre; en m\u00eame temps que toute verticalit\u00e9, par s\u00e9quence, peut se produire, interviennent des d\u00e9placements horizontaux correspondant aux bandes de papier perfor\u00e9 comme si celles-ci se d\u00e9pla\u00e7aient de gauche \u00e0 droite, hors du cadre de la partition. Les \u00ab\u00a0indicatifs\u00a0\u00bb sont compos\u00e9s pour bande(s) magn\u00e9tique(s), pour un nombre ind\u00e9fini de clavier (acoustique et \u00e9lectronique); la pi\u00e8ce peut \u00eatre aussi ex\u00e9cut\u00e9e en direct par plusieurs musiciens avec ou sans bande(s) magn\u00e9tique(s).\u00a0\u00bb<\/p>\n<p>Martin Davorin Jagodic, notes de programme, jan 81<\/p>\n<p>With\u00a0<i>According to<\/i>, I gave to Marin Davorin Jagodic the film as a score. In this project, image was before music. This score as a frozen film frame of the film itself was done as a contact sheet (rayogramm) of some of the articles I wrote at that time for\u00a0<i>Gaipied<\/i>\u00a0and some others newspapers. The film, the strip, was perforated along two different ways: one with small holes was setting up continuity while the bigger ones were dealing with chance, discontinuity. From this score, Martin Davorin Jagodic created a sound track using the residue of a chord from a movement of a Malher\u2019s\u00a0<i>4th Symphony<\/i>. From this inverted chord, he was able to produce a set of variations that were not duplicating or illustrating of the image variations.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Installation \/ Performance 1979-80 Partition papier qui est \u00e0 la fois le film \u00e0 jouer en 16mm et la partition \u00e0 partir de laquelle Martin Davorine Jagodic a composer la pi\u00e8ce Paper Frozen Film Frame, \u00a0score for a 16mm projection \u00a0and score for music piece by Martin Davorine Jagodic Avec\u00a0According to&#8230;\u00a0je donnais \u00e0 Martin Davorin [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[114,70,88,113],"class_list":["post-349","post","type-post","status-publish","format-standard","hentry","category-installations","tag-expande-cinema","tag-musique-film","tag-partition","tag-scores"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=349"}],"version-history":[{"count":4,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/349\/revisions"}],"predecessor-version":[{"id":843,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/349\/revisions\/843"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}