{"id":381,"date":"2014-03-24T21:31:04","date_gmt":"2014-03-24T20:31:04","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=381"},"modified":"2022-05-18T01:51:37","modified_gmt":"2022-05-18T00:51:37","slug":"ateliers-conferences-enseignements-workshops-lectures-teaching","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=381","title":{"rendered":"Ateliers, conf\u00e9rences, enseignements\/ Workshops, lectures, teaching"},"content":{"rendered":"

2021<\/strong><\/p>\n

Pr\u00e9sentation de l’exposition Dead Souls de Derek Jarman, <\/i>Credac, <\/i>suivit d’une pr\u00e9sentation et d\u00e9bat autour de The last of England, cinema le Luxy, 12 d\u00e9cembre
\n<\/i><\/span><\/span><\/span><\/p>\n

Journ\u00e9e mondiale de lutte contre le sida rencontre avec Bloum Cardenas, Willy Rozembaum, yann beauvais et Antoine Idier,\u00a0<\/i> le collectif 06 Lutte contre le siad et les Ouvreurs , MAM Nice 1 d\u00e9cembre
\n<\/i><\/span><\/span><\/span><\/p>\n

Activating the Cinema From the Margins. A Possible Introduction to Cinema Experimental, <\/i>Centro Andaluz de Arte Contempor\u00e1neo, 18 Festival de Sevilla, 9\/10 novembre
\n<\/i><\/span><\/span><\/span><\/p>\n

Oficina Dan\u00e7as Urbanas em Foco<\/i><\/span><\/span><\/span>, Funarpe, Consuldao Francese no Recife, 3 -28 Setembre
\n<\/span><\/span><\/span><\/p>\n

2020<\/strong><\/p>\n

Oficina Pr\u00e1ticas num\u00e9ricas Videodan\u00e7a<\/i><\/span><\/span><\/span>, Funarpe, Cosuldao Francese no Recife, 1 au 24 juillet, 5 \/26 novembre
\n<\/span><\/span><\/span><\/p>\n

Visiting teacher,<\/em> Alba, Beyrouth 7-13 janvier<\/p>\n

2019\u00a0<\/strong> <\/span><\/p>\n

Oficina Imagem, Movimento e Dan\u00e7a <\/i>com yann beauvais e Moacir dos Anjos, Porto Midia\u00a0 19 de Setembro 2019 Recife\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Exp\u00e9rimenter, Les repr\u00e9sentations publiques du Sida<\/i> 6\u00e8me journ\u00e9e d’\u00e9tude, Mucem, Marseille 24 mai<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 R\u00e9sidence Soma, Mexico 29 avril 11 mai,\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Miercoles de Soma<\/em>, Mexico 8 mai,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 retro virus todo este tiempo videoarte + activismo + VIH<\/em>, La Cueva Mexico 4 mai\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Visiting Teacher Otis College Los Angeles 29 mars 10 avril\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Workshop Teo Hernandez, Villa Vassilief & ENSAPC, Villa Vassilief, Paris 18 -22 F\u00e9vrier <\/span><\/p>\n

2018-19<\/strong> Profesor Film-vid\u00e9o \u00e0 l’Ecole Nationale Sup\u00e9rieure des Arts de Paris Cergy<\/span><\/p>\n

2017<\/strong><\/p>\n

A est\u00e9tica do tempo na Imagen<\/em>, Curso de curadoria de fotogr\u00e1fia ano IV, por yann beauvais, 28 de Agosto, 1 de setembro, 3emeio, Museu da Cidade de Recife, Forte das Cincos Pontas, Recife<\/p>\n

Mesa redonda e apresenta\u00e7\u00e3o<\/em> Forum do movimento das imagens,Caixa economica Centro Cultural, 3 e meio, 27-29 julho, Recife<\/p>\n

yann beauvais \u00ab\u00a0un cin\u00e9ma tr\u00e8s \u00e9largi\u00a0\u00bb<\/em> Patrick Javault re\u00e7oit yb en compagnie de Miquel Mont,\u00a0 31 mai, Fondations d’entreprise Ricard, Paris<\/p>\n

Alchimie et Mati\u00e8re filmiques : Jurgen Reble<\/em> Avec Yann Beauvais, Olivier Schefer, 18 mai, Le Bal, Paris
\n<\/span><\/p>\n

Professeur \u00e0 l’ENSAPC<\/p>\n

2016<\/strong><\/p>\n

Europe Versus America, yann beauvais Jonas Mekas, Filming in the moment <\/em>The Diary Film Festival, Exit 7,\u00a0 23 -27 novembre Guling Street Avant-Garde Theatre Taipei<\/p>\n

Uma aproxima al cine de vanguardia: entre lo estrutural y la improvisacion, <\/em>8 Novembre, Facultad de bellas artes, Universidad Nacional de La Plata, La Plata<\/p>\n

Forum do Movimento da Imagens, <\/em>25-27 mai, Caixa Cultural, Recife\u00a0\u00a0\u00a0<\/em><\/p>\n

La lengua de Teo, introduction \u00e0 la projection,<\/em> Rencontres \u00e0 la Villa Vassilieff, 23 avril, Paris\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

Marx en Sc\u00e8ne, Art et Capital Isaac Julien et Zachary Formalt<\/em>, 14 avril, Le Bal, Paris<\/p>\n

SonImage<\/em> \u00c9cole des beaux arts Tours \/ Angers \/ Le Mans, 23-24 & 25 mars, \u00c9cole sup\u00e9rieure des beaux-arts d’Angers<\/p>\n

2015<\/strong><\/p>\n

\n

Table ronde Lan\u00e7amento Autobiografias do outro<\/i>, avec M\u00e1rcio de Andrade, Rodrigo Caseiro, Eric Laurence, yann beauvais, Auditorio do MAMAM, 10 dec, Recife
\n1\u00b0 Forum Movimento de Imagens,<\/i> Itin\u00e9rancia, Cinemateca MAM, Risco cinema, 7 dec, Rio de Janeiro\u00a0\u00a0\u00a0\u00a0\u00a0 Debate<\/i> com Rose Lowder, Mateus Ara\u00fajo, yann beauvais, Cinemateca MAM, RISCO cinema, 5 dec, Rio de Janeiro\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Table Ronde 1\u00b0 Forum Movimento de Imagens<\/i>, avec Rose Lowder, Moacir dos Anjos, yann beauvais, Alian\u00e7aFrancesa, 30 nov, Recife
\nJourn\u00e9e\u00a0 Intervention<\/em> post dipl\u00f4me \u00c9cole Sup\u00e9rieure europ\u00e9ene de l’image de Poitiers , \u00e0 Paris le 27 octobre
\n<\/span>Ce qui fait l’image, ce que fait l’image<\/em>, \u00c9cole des beaux arts Tours Angers Le Mans, 20 & 21 octobre, Tours
\nFazer o Mundo Fazendo Video<\/i> 3- 4 e 10-11 de Outubro, Petrobras\/A\u00e7\u00e3o Darmata, Gaibu
\n<\/span><\/span>Som-Imagem ou Imagem do som<\/em>\u00a0 3 – 6 de Agosto 2015 4\u00b0 modulo do ciclo Estudos do som, Sesc Centro de Pesquisa e Forma\u00e7\u00e3o\u00a0 S\u00e3o Paulo http:\/\/centrodepesquisaeformacao.sescsp.org.br\/atividade\/estudos-do-som
\n<\/a>Mesa redonda sobre O New Queer Cinema, sua rela\u00e7\u00e3o com a hist\u00f3ria, pol\u00edtica e a historiografia\u00a0 do cinema,<\/em> com Hernani Heffner, yann beauvais e Mateus Nagime, Caixa Cultural, Rio de Janiero 11\/06\/2015
\nFazer o Mundo Fazendo Video<\/i>, 28 e 29 Mar\u00e7o, Petrobras\/A\u00e7\u00e3o Darmata, Gaibu
\n<\/span><\/span>Mesa redonda sobre o cinema estrutural<\/em>, com Carlos Adriano, yann beauvais e Patricia Mour\u00e3o, Caixa Cultural,\u00a0Rio de Janeiro 24\/01\/2015<\/p>\n<\/div>\n

2014<\/b><\/span><\/span><\/p>\n

Mesa redonda sobre a exposi\u00e7\u00e3o yb150213: 40 anos de yann beauvais<\/em>\u00a025\/11\/2014\u00a0Mamam no P\u00e1tio, Recife, Pe \u00a0 \u00a0http:\/\/bcubico.com\/mesa-redonda-sobre-a-exposicao-yb150213\/ \u00a0<\/a>http:\/\/bcubico.com\/maria-do-carmo-nino\/<\/a>
\nAu commencement \u00e9tait le bruit… Steina et Woody Vasulka<\/em>, 10 octobre Espace multim\u00e9dia Gantner, Bourogne
\nUn regard sur une pratique du cin\u00e9ma d\u00e9cadr\u00e9<\/em>, yann beauvais, \u00a0Les conf\u00e9rences de la presqu’Ile, 8 octobre, \u00a0Esam Caen\/Cherbourg
\nRencontre avec yann beauvais<\/em>, \u00a0Ecole Sup\u00e9rieure d’arts et m\u00e9dias,8 octobre,\u00a0Caen\/Cherbourg \u00a0 \u00a0 Semin\u00e1rio Musica Visual, \u00a0CALH, UFRB, \u00a010 e 17 Setembro,\u00a0Cachoeria, Bahia
\nDerek Jarman : O super 8, a homossexualidade e o cinema de pequeno gestos,<\/em> Palestra em Cinema \u00e9 Liberdade Derek Jarman, Caixa Cultural Recife, 16 de Agosto
\nHist\u00f3ria e Linguagem do v\u00eddeo<\/em>, \u00a0Escola P\u00fablica de Audiovisual da Vila das Artes, 21-25 julho, Vila das Artes, Fortaleza
\n<\/span><\/span>Ciclo Tempo das Imagens<\/em>, cada 15 dias, \u00a022 de Maio at\u00e9 \u00a028 de setembro, B3 Recife
\nCinema Expandido e Film de Found Footage,<\/em> Abril 22-25, Picnic, Casa da Cultura, Teresina \u00a0https:\/\/www.youtube.com\/watch?v=3aoF0OfH6G0<\/a>
\nKeith Sanborn em Contexto<\/em>, B3 Abril 10, Recife<\/p>\n

2013<\/b><\/span><\/span><\/p>\n

Jonas Mekas e o filme-di\u00e1rio<\/em>, Mesa, yann beauvais & Mateus Ar\u00e1ujo Silva, Media\u00e7\u00e3o Carla Maia e Carla Italiano, Forum Doc BH 2013, cin\u00e9 Humberto Mauro, 26 de novembro, Belo Horizonte \u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span>Malcolm LeGrice em contexto<\/em>, B3, 11 de Julho, Recife
\nSeminario O tempo das Imagens<\/em> ciclo de 12 palestras, Fundaj, Funda\u00e7\u00e3o Joaquim Nabuco, Recife http:\/\/bcubico.com\/category\/tempo-das-imagens-palestras\/<\/a>
\nValie Export em Contexto<\/em> B3, 16 de Maio, Recife
\nDe la repr\u00e9sentation intermittente de soi \u00e0 la d\u00e9voration<\/em>, Les intermittences du Sujet, Universit\u00e9 de Haute Alsace, 5 abril, Mulhouse
\nVid\u00e9os et films du Br\u00e9sil<\/em>, ENSBA 2 abril, Paris
\nSharits em Contexto<\/em>, B3, 14 de Mar\u00e7o, Recife
\nMesa Redonda, Ciclo Jonas Mekas,<\/em> Centro Cultural Banco do Brasil, 7 Fevereiro, S\u00e3o Paulo<\/p>\n

2012<\/b><\/span><\/p>\n

O uso do filme de found footage no cinema experimental e na videoarte<\/em> , 9-13 abril, Vila das Artes, Fortaleza
\n<\/span>Ciclo de aulas, do cinema experimental ao digital<\/em>, B3, Recife<\/p>\n

2011<\/b><\/span><\/p>\n

Entre o cinema e a sala de exposi\u00e7\u00e3o, semana de videoarte 2011<\/em>, Funda\u00e7\u00e3o Joaquim Nabuco, Recife\u00a0 <\/span>J\u00fari de sele\u00e7\u00e3o da IV \u00danico , Exposi\u00e7\u00e3o: Tecnobrasilidades, Galeria de Artes Sesc Casa Amarela, Recife<\/p>\n

2010<\/b><\/span><\/span><\/p>\n

Atelier L\u2019\u00e9crit, la lettre dans l\u2019espace, Ecole Sup\u00e9rieure des Beaux-Arts d\u2019Angers
\nIntrodu\u00e7\u00e3o ao Cinema experimental,
\n– O que \u00e9 o cinema experimental,
\n– Paul Sharits,
\n– O uso dos filmes de found footage, 12 Festival Intenacional Curtas, Belo Horizonte
\nRemont(r)er une installation de Paul Sharits, in Archimages 10, Institut National du Patrimoine Auditorium Colbert, Paris
\nJos\u00e9 Agrippino de Paula et le tropicalisme, in Le tropicalisme, Parole au cin\u00e9ma, table ronde avec Edson Barros, Guy Brett, Dominique Dreyphus, Centre Pompidou, Paris
\nAtelier Ecritures Cin\u00e9matographique, Ecole Nationale Sup\u00e9rieure des Beaux-Arts de Paris, 7 semaines
\nGay Brazilian Cinema, I am curious\u00a0: Pink\u00a0! OFFoff Art Cinema, Gent
\nNotes From Land to City, Kunstraum Walcheturm, Zurich\u00a0<\/span><\/span><\/p>\n

2009<\/b><\/span><\/span><\/p>\n

La couleur au cin\u00e9ma, Chroma, Mus\u00e9e d\u2019art moderne et contemporain de Strasbourg,
\nfrom scratch\u00a0? conf\u00e9rence inaugurale Xperimenta 09 Contemporary Glances at Experimental Cinema, CCCB, Barcelona\u00a0:\u00a0<\/span>http:\/\/www.yannbeauvais.fr\/article.php3?id_article=491<\/span><\/span><\/a>
\nAtelier Ecritures cin\u00e9matographiques, Ecole Nationale Sup\u00e9rieure des Beaux Arts de Paris, 9 semaines<\/span><\/span><\/span><\/p>\n

2008<\/b><\/span><\/span><\/p>\n

Pour un usage contemporain du found footage, Ecole nationale Sup\u00e9rieure des Beaux Arts de Bourges
\nPaul Sharits, Ecole Nationale Sup\u00e9rieure des Beaux Arts, Paris
\nArtist Talk, Smolny Institute of Free Arts and Sciences, St Petersburg State University, Saint Petersburg
\nA representa\u00e7\u00e3o do gay dentro do filme e v\u00eddeo experimentais brasileiro desde os anos 70 at\u00e9 os dias de hoje, in Retratos do Brasil homossexual, IV Congresso ABEH, USP S\u00e3o Paulo
\nO filme de viagem, entre cadernos de notas, colonialismo e subjectividade, PUC, Rio de Janeiro<\/span><\/span><\/p>\n

2007<\/b><\/span><\/span><\/p>\n

Paul Sharits, Officina da Luz, S\u00e3o Paulo
\nRobert Breer, Kuntshalle, Basel
\nPaul Sharits, Espace Multim\u00e9dia Gantner, Bourogne
\nAbout my film works, American University in Paris
\nPaul Sharits, Universidade Pontificale PUC, Rio de Janeiro
\nOn The use of Found Footage in Some of My Films, Nederland Filmuseum, Amsterdam
\nRobert Nelson , Mus\u00e9e d\u2019Art moderne et Contemporain, Strasbourg
\nRobert Nelson, \u00c9cole Nationale Sup\u00e9rieure des Beaux Arts de Paris<\/span><\/span><\/p>\n

2006<\/b><\/span><\/span><\/p>\n

Cin\u00e9po\u00e9sie, in 7\u00e8me Festival de Po\u00e9sie et d\u2019Art Contemporain \u00e9critures visuelles et multim\u00e9dias, CAPC Mus\u00e9e, Bordeaux
\nVisual Arts illustrated Lecture. yann beauvais, Stewart Film Theater, Princeton University
\nVisiting artist, Massachussets School of Arts, Boston
\nCycle de pr\u00e9sentation paysage urbain, La filature, Mulhouse
\nUniversidade Pontificale PUC, une semaine d\u2019atelier, Rio de Janeiro
\nRobert Breer, L\u2019index, MAC\/VAL, Vitry sur Seine
\nDialogue avec Keith Sanborn, Ecole Sup\u00e9rieure d\u2019Art, le Quai, Mulhouse
\nRencontre avec Keith Sanborn, Ecole Nationale Sup\u00e9rieure des Beaux Arts, Paris
\nAtelier d\u2019une semaine pour les post-dipl\u00f4mes en architecture et paysages Zurichg, Swiss F\u00e9deral Institut of Technology, Zurich<\/span><\/span><\/p>\n

2005<\/b><\/span><\/span><\/p>\n

H\u00e9lio Oticica & Jack Smith, Res do Chao, A\u00e7ugar Invertido, Rio de Janeiro
\nRencontre avec les \u00e9tudiants de 3 ann\u00e9es de l\u2019Ecole Sup\u00e9rieure des Beaux Arts de Tours
\nThe Digital \u00aeevolution in its First Decade, Golden Horse Film Festival, Taipei
\nFrom film to installation, Shih Hsin University, Taipei
\nCin\u00e9ma exp\u00e9rimental et vid\u00e9o Br\u00e9silienne, Universit\u00e9 de Metz
\nAtelier d\u2019une semaine pour les post dipl\u00f4mes en architecture et paysages Zurichg, Swiss F\u00e9deral Institut of Technology, Zurich
\nFound Footage, University van Amsterdam
\nFilms d\u2019artistes, JAP, La Raffinerie, Bruxelles
\nFrom film to installation works, USF in Paris<\/span><\/span><\/p>\n

2004<\/b><\/span><\/span><\/p>\n

Contemporary Chinese videos, Kino Arzenal, Berlin<\/span><\/span><\/p>\n

The art of programming, HBK Braunschweig<\/span><\/span><\/p>\n

Expanding cin\u00e9ma, Jap, palais des Beaux Arts, Bruxelles<\/span><\/span><\/p>\n

Montar\/ Samplear, PUC, Rio de Janeiro<\/span><\/span><\/p>\n

Introduction to Experimental Film, Festival de Inverno de P\u00f4rto Alegre<\/span><\/span><\/p>\n

Exp\u00e9riences sonores et films exp\u00e9rimentaux, in Du muet au parlant Auditorium du Louvre, Paris<\/span><\/span><\/p>\n

Vacataire \u00e0 l\u2019\u00e9cole des Beaux arts de Mulhouse, Le Quay<\/span><\/span><\/p>\n

Introduction to my film work, University of South Florida in Paris<\/span><\/span><\/p>\n

L\u2019intime comme moment du multiple in L\u2019intime sous tension, Carr\u00e9 d\u2019art N\u00eemes<\/span><\/span><\/p>\n

Atelier d\u2019une semaine pour les post dipl\u00f4mes en architecture et paysages Zurich, Swiss F\u00e9deral Institut of Technology <\/span><\/span><\/p>\n

Ecole nationale sup\u00e9rieure d\u2019Art de Nancy<\/span><\/span><\/p>\n

Vid\u00e9o br\u00e9silienne, autour de res do chao, Ecole Nationale Sup\u00e9rieure des Beaux Arts, Paris<\/span><\/span><\/p>\n

Expand\u00e9d. cinema, <\/span>University van Amsterdam<\/span><\/p>\n

Rencontre autour de David Wojnarowicz, FNAC Forum, Paris<\/span><\/p>\n

Cr\u00e9ateur un, Auteur z\u00e9ro, Institut Franco-Japonais de Tokyo<\/span><\/span><\/p>\n

Sampling et Found Footage, Alliance Fran\u00e7aise Osaka<\/span><\/span><\/p>\n

Vid\u00e9os contemporaines chinoises, Forum des images, Paris <\/span><\/span><\/p>\n

2003<\/b><\/span><\/span><\/p>\n

Vacataire \u00e0 l\u2019Ecole des Beaux-Arts de Mulhouse, Le Quay<\/span><\/span><\/p>\n

films et vid\u00e9os de chine (s), Ecole nationale superieure des Beaux-Arts de Paris<\/span><\/span><\/p>\n

Valie EXPORT, Centre National de la Photographie<\/span><\/span><\/p>\n

Rencontres et d\u00e9bats autour de l\u2019installation tu, sempre, Espace Mutim\u00e9dia Gantner,<\/span><\/span><\/p>\n

de la musique \u00e0 l\u2019image, de l\u2019image aux sons, Espace Mutim\u00e9dia Gantner, Bourogne<\/span><\/span><\/p>\n

found footage and sampling<\/span> in avant-garde films, University van Amsterdam<\/span><\/p>\n

table ronde Institut franco-japonais, Tokyo<\/span><\/span><\/p>\n

Des Rives, rencontre avec yb et Thomas K\u00f6ner, Musachino Art University, Tokyo<\/span><\/span><\/p>\n

The Last of England, Eurozone, la filature, Mulhouse<\/span><\/span><\/p>\n

Autour du film est d\u00e9j\u00e0 commenc\u00e9, Ecole des Beaux-Arts de Poitiers<\/span><\/span><\/p>\n

Approriation par \u00e9chantillonage, in La question de l\u2019auteur, universit\u00e9\u00a0 d\u2019Amiens<\/span><\/span><\/p>\n

Performance et attitudes, Ecole sup\u00e9rieure des Beaux-Arts de Tours<\/span><\/span><\/p>\n

2002<\/b><\/span><\/span><\/p>\n

Vid\u00e9o et sida, mus\u00e9e d\u2019art contemporain et moderne, Strasbourg<\/span><\/span><\/p>\n

D\u00e9cadrer le cin\u00e9ma, UFR Arts PLAstique, Paris VIII, St Denis<\/span><\/span><\/p>\n

Exp\u00e9rimentation en cin\u00e9ma, Universit\u00e9 Paul Sabatier, Toulouse<\/span><\/span><\/p>\n

Escola de Artes Visuais do Parque Lage, Rio de Janeiro<\/span><\/span><\/p>\n

Taiwan, Academy of Arts, Taipei<\/span><\/span><\/p>\n

Dai Yeh University, Chang-Hwa<\/span><\/span><\/p>\n

Shih Hsin University, Taipei<\/span><\/span><\/p>\n

National Taipei\u00a0 Teachers College, Tapei<\/span><\/span><\/p>\n

Workshop musique & film, Ecole des Beaux-Arts de Mulhouse<\/span><\/span><\/p>\n

\u00c9diting Sampling<\/span> in avant-garde films and music, University van Amsterdam<\/span><\/p>\n

L’appropriation, Ecole de l’Image, d’Angoul\u00eame<\/span><\/span><\/p>\n

Le cin\u00e9ma \u00e9largi, Ecole nationale des Beaux-Arts de Lyon<\/span><\/span><\/p>\n

2001<\/b><\/span><\/span><\/p>\n

Echantillonage contemporain, Ecole d’Art de Pau<\/span><\/span><\/p>\n

yann beauvais, TNB Universit\u00e9 de Rennes 2 <\/span><\/span><\/p>\n

le cin\u00e9ma exp\u00e9rimental, une pratique, UFMR Cr\u00e9teil<\/span><\/span><\/p>\n

Exp\u00e9rimentation en cin\u00e9ma, Universit\u00e9 Paul Sabatier, Toulouse<\/span><\/span><\/p>\n

Symposium \u00ab\u00a0section film\u00a0\u00bb, :Le quai, Ecole sup\u00e9rieure d’art de Mulhouse<\/span><\/span><\/p>\n

Contemporary issues in presenting avant-garde films, University van Amsterdam<\/span><\/p>\n

Ecriture, support, Ecole Nationale Sup\u00e9rieure des Beaux Arts, Paris<\/span><\/span><\/p>\n

Le cin\u00e9ma japonais, Galerie Faux mouvement, Metz<\/span><\/span><\/p>\n

Math\u00e9matique et cin\u00e9ma, Goethe Institut, Lille<\/span><\/span><\/p>\n

Ecole des Beaux-Arts de Rennes<\/span><\/span><\/p>\n

Du found footage, atelier, Ecole des Beaux-Arts de Dunkerque <\/span><\/span><\/p>\n

Artiste en R\u00e9sidence, Universit\u00e9 de Rennes 2<\/span><\/span><\/p>\n

Le cr\u00e9dac, Ivry<\/span><\/span><\/p>\n

ENSET, Toulouse<\/span><\/span><\/p>\n

2000 <\/b><\/span><\/span><\/p>\n

Ecole Sup\u00e9rieure d\u2019Art et de Design, Reims<\/span><\/span><\/p>\n

Artiste en R\u00e9sidence, Universit\u00e9 de Rennes 2<\/span><\/span><\/p>\n

Exp\u00e9rimentation en cin\u00e9ma, Universit\u00e9 Paul Sabatier, Toulouse<\/span><\/span><\/p>\n

Institute of Technoloy, class of Stephanie Maxwell, Rochester<\/span><\/span><\/p>\n

Concordia University, class of Nelson Henricks, Montr\u00e9al<\/span><\/span><\/p>\n

Rencontres \u00e0 partir du remake d’une conf\u00e9rence d’Hollis Frampton, Ensci, Paris<\/span><\/span><\/p>\n

Domus Academy, Milano<\/span><\/span><\/p>\n

Rencontre sur le cin\u00e9ma italien, Link, Bologna<\/span><\/span><\/p>\n

De l’un \u00e0 la s\u00e9rie, Paris 1, St Charles<\/span><\/span><\/p>\n

recyclage\/\u00e9chantillonage, intervention de y b \u00e0 propos de sa s\u00e9lection vid\u00e9o, Cr\u00e9d.ac Ivry<\/span><\/span><\/p>\n

Cin\u00e9ma exp\u00e9rimental, Soir\u00e9e du Capitaine Pip, Br\u00e9tigny<\/span><\/span><\/p>\n

Le cin\u00e9ma exp\u00e9rimental, 4 journ\u00e9es, Luminy, Ecole des Beaux-Arts de Marseille <\/span><\/span><\/p>\n

Le cin\u00e9ma exp\u00e9rimental, Ecole des Beaux-Arts de Metz, Frac Lorraine<\/span><\/span><\/p>\n

Cin\u00e9ma d’avant-garde, Ecole des Beaux-Arts de Besan\u00e7on<\/span><\/span><\/p>\n

1999 <\/b><\/span><\/span><\/p>\n

Cin\u00e9ma exp\u00e9rimental\u00a0:cin\u00e9ma des plasticiens, avec Jean Michel Bouhours, Miguel Mont, ENSBA, Paris<\/span><\/span><\/p>\n

Workshop, ENSAV, Gen\u00e8ve<\/span><\/span><\/p>\n

Cin\u00e9ma exp\u00e9rimental en France, Cin\u00e9math\u00e8que de Taiwan, Taipei<\/span><\/span><\/p>\n

Le cin\u00e9ma exp\u00e9rimental, Universit\u00e9 de Taipei<\/span><\/span><\/p>\n

S\u00e9minaire cin\u00e9ma exp\u00e9rimental (1 semaine), Sam Spiegel Film &Video School, Jerusalem<\/span><\/span><\/p>\n

Jean Genet et le cin\u00e9 ex, 10 festival Th\u00e9\u00e2tre & cin\u00e9ma, Magic Cin\u00e9ma Bobigny<\/span><\/span><\/p>\n

Experimental film, First avant-garde to the 60’s, Cin\u00e9math\u00e8que de J\u00e9rusalem<\/span><\/span><\/p>\n

Experimental film, 60’s to nowdays, Cin\u00e9math\u00e8que de Jerusalem<\/span><\/span><\/p>\n

De Fluxus au cin\u00e9ma exp\u00e9rimental contemporain, Milan et Link Bologna<\/span><\/span><\/p>\n

Exp\u00e9rimentation en Cin\u00e9ma, Vid\u00e9ochroniques, Le miroir, Marseille <\/span><\/span><\/p>\n

1998-99<\/b><\/span><\/span><\/p>\n

Cin\u00e9ma exp\u00e9rimental depuis les ann\u00e9es 50, Sorbonne Nouvelle, Paris 3<\/span><\/span><\/p>\n

1998 <\/b><\/span><\/span><\/p>\n

Cin\u00e9ma exp\u00e9rimental : engagement ou recherche formelle, Institut fran\u00e7ais, Tokyo<\/span><\/span><\/p>\n

Light Cone, Cin\u00e9ma ex en France, Image Forum, Tokyo<\/span><\/span><\/p>\n

Cinex en France, Tokyo University of Art & Design, Nippon Engineering College, Tokyo<\/span><\/span><\/p>\n

Cinex en France, Kyoto University of Art and Design, Kyoto College of Arts<\/span><\/span><\/p>\n

Du cin\u00e9ma en France, Institut fran\u00e7ais du Kansai<\/span><\/span><\/p>\n

Trois cin\u00e9astes, Kob\u00e9 Design University<\/span><\/span><\/p>\n

Cinex en France, Kob\u00e9 Art Center <\/span><\/span><\/p>\n

Du cin\u00e9ma en France, Alliance fran\u00e7aise Sapporo<\/span><\/span><\/p>\n

Les art du je, Instituts sup\u00e9rieurs des Arts Plastiques, Lorient<\/span><\/span><\/p>\n

Cin\u00e9ma & arts plastiques, queer politics, scratchez vous, Universit\u00e9 Paris 8<\/span><\/span><\/p>\n

Intervenant, 5 cours, Studio Le Fresnoy<\/span><\/span><\/p>\n

Support et cin\u00e9ma, Futura, Mus\u00e9e d’Art Contemporain, Lyon<\/span><\/span><\/p>\n

Le cin\u00e9ma contemporain, Galerie des Filles du Calvaire, Paris <\/span><\/span><\/p>\n

1997-98<\/b><\/span><\/span><\/p>\n

Cin\u00e9ma exp\u00e9rimental et arts plastiques, Sorbonne Nouvelle, Paris 3<\/span><\/span><\/p>\n

Intervenant, Ecole des Beaux Arts et du d\u00e9sign de Reims<\/span><\/span><\/p>\n

1997<\/b><\/span><\/span><\/p>\n

Artecinema Tmesa redonda, com Artur Omar, Annette Michelson, Ismael Xavier,Centro Cultural Banco do Brasil, Rio de Janeiro<\/span><\/span><\/p>\n

Rencontre avec Jonas Mekas, Forum, Fnac St Lazare, Paris<\/span><\/span><\/p>\n

Exp\u00e9rimentation En Cin\u00e9ma 3, 2 interventions, IRIT Universit\u00e9 Paul Sabatier, Toulouse<\/span><\/span><\/p>\n

New Queer Cinema, Les gays savoirs en Europe, les Revues Parl\u00e9es, Centre Georges Pompidou, Paris <\/span><\/span><\/p>\n

L’autobiographie, le journal intime, Ecole des Beaux-Arts d’Angoul\u00eame<\/span><\/span><\/p>\n

De Robert Frank \u00e0 Andy Warhol, Coll\u00e8ge de l’histoire de l’art cin\u00e9matographique, Cin\u00e9math\u00e8que fran\u00e7aise, Paris<\/span><\/span><\/p>\n

Hyper M\u00e9dia, Le cin\u00e9ma exp\u00e9rimental et la production non lin\u00e9aire, Oberhausen<\/span><\/span><\/p>\n

Kenneth Anger, Le M\u00e9lies et le 102, Grenoble<\/span><\/span><\/p>\n

1996-97<\/b><\/span><\/span><\/p>\n

Cin\u00e9ma exp\u00e9rimental et arts plastiques, Sorbonne Nouvelle, Paris 3<\/span><\/span><\/p>\n

Intervenant, Ecole des Beaux-Arts et du d\u00e9sign de Reims<\/span><\/span><\/p>\n

1996<\/b><\/span><\/span><\/p>\n

Le Found Footage, Galerie Nationale du Jeu de Paume, Paris<\/span><\/span><\/p>\n

Le cin\u00e9ma exp\u00e9rimental, Galerie Nationale du Jeu de Paume, Paris<\/span><\/span><\/p>\n

Exp\u00e9rimentation EN Cin\u00e9ma 2, Science en F\u00eate, Universit\u00e9 Paul Sabatier, Toulouse<\/span><\/span><\/p>\n

Le cin\u00e9ma autrichien, Institut autrichien, Paris<\/span><\/span><\/p>\n

The Baudelerean Cinema, Impakt, Utrech<\/span><\/span><\/p>\n

Peter Kubelka, Universit\u00e9 de Paris I<\/span><\/span><\/p>\n

Found Footage and Documentaries, Oberhausen Film Festival<\/span><\/span><\/p>\n

Musique Film, Universit\u00e9 de Lille <\/span><\/span><\/p>\n

Jonas Mekas, American Center<\/span><\/span><\/p>\n

Les journaux film\u00e9s, Cin\u00e9math\u00e8que de Roumanie, Bucarest<\/span><\/span><\/p>\n

1995<\/b><\/span><\/span><\/p>\n

Vid\u00e9os et cin\u00e9ma exp\u00e9rimental quels rapports ?, Atelier Heure exquise, Lille<\/span><\/span><\/p>\n

Un aspect du cin\u00e9ma exp\u00e9rimental des ann\u00e9es 70 \u00e0 aujourd’hui, cycle de conf\u00e9rences Ecole des Beaux Arts Luminy, Marseille<\/span><\/span><\/p>\n

Le cin\u00e9ma comme art, Mus\u00e9e des Beaux-Arts de Lyon<\/span><\/span><\/p>\n

Andy Warhol T\u00e9l\u00e9vision, Universit\u00e9 d’\u00e9t\u00e9 L’art vid\u00e9o, Arts plastiques et Audiovisuels, la Saison Vid\u00e9o, Lille<\/span><\/span><\/p>\n

Found Footage, Galerie Nationale du Jeu de Paume, Paris<\/span><\/span><\/p>\n

Andy Warhol Cin\u00e9ma, European M\u00e9d.ia Art Festival, Osnabr\u00fcck<\/span><\/span><\/p>\n

Queer Cinema, autour de Zero Patience, Le cin\u00e9ma, Lyon<\/span><\/span><\/p>\n

Fast Trip, Long Drop, Info Sida Services, Grenoble<\/span><\/span><\/p>\n

Le montage dans le cin\u00e9ma exp\u00e9rimental et la vid\u00e9o, Ecole Nationale Sup\u00e9rieure des Beaux-Arts, Paris<\/span><\/p>\n

1994<\/b><\/span><\/span><\/p>\n

Le cin\u00e9ma exp\u00e9rimental, Champs Magn\u00e9tiques,Vid\u00e9oth\u00e8que de l’Acquitaine Bordeaux.<\/span><\/span><\/p>\n

Questions d’identit\u00e9s, Ecole Nationale Sup\u00e9rieure des Beaux-Arts, Paris<\/span><\/span><\/p>\n

Le cin\u00e9ma exp\u00e9rimental, Mire, M\u00e9diath\u00e8que Nantes<\/span><\/span><\/p>\n

Arts plastiques et cin\u00e9ma exp\u00e9rimental, Universit\u00e9 d’\u00e9t\u00e9 L’art vid\u00e9o, <\/span><\/span><\/p>\n

Arts plastiques et Audiovisuels, la Saison Vid\u00e9o au Goethe Institut de Lille<\/span><\/span><\/p>\n

La distribution du cin\u00e9ma exp\u00e9rimental en Europe Light Cone, Osnabruck<\/span><\/span><\/p>\n

L’homosexualit\u00e9 dans le cin\u00e9ma de Warhol, American Center, Paris<\/span><\/span><\/p>\n

1993<\/b><\/span><\/span><\/p>\n

Fade to black, Eldorado, Anwerpen<\/span><\/span><\/p>\n

Summer School, avec Jurgen Reble, Stuc Leuven, Anterwepen 93 (1semaine)<\/span><\/span><\/p>\n

Musique Film, A.V.E, Arnhem<\/span><\/span><\/p>\n

Fade to black; Rialto, Amsterdam<\/span><\/span><\/p>\n

Le Musical, Eldorado, Project Experimental Film Antwerpen 93<\/span><\/span><\/p>\n

1992<\/b><\/span><\/span><\/p>\n

Aspects contemporains, Ecole Nationale des Beaux-Arts de Paris.<\/span><\/span><\/p>\n

Germaine Dulac, Festival Int. de films de Femmes de Cr\u00e9teil<\/span><\/span><\/p>\n

Summer University in Paris, Rochester Institut, 6 semaines<\/span><\/span><\/p>\n

Queer Cinema Conference, ICA, Londres<\/span><\/span><\/p>\n

Rencontre avec Jonas Mekas, Galerie Nationale du Jeu de Paume, Paris<\/span><\/span><\/p>\n

1991<\/b><\/span><\/span><\/p>\n

Workshop, Artspace, Auckland, ILAM School of Fine Arts Canterberry University <\/span><\/span><\/p>\n

Point de vue des coop\u00e9ratives et d’un cin\u00e9aste, Congr\u00e8s de la F.I.A.F. Ath\u00e8nes <\/span><\/span><\/p>\n

Summer University in Paris, University of South Florida, Art Institue of San Francisco,\u00a0 :\u00a0Visiting Artist, University of South Florida, Tampa Jan\/ Mai<\/span><\/span><\/p>\n

1990<\/b><\/span><\/span><\/p>\n

Laszlo Moholy Nagy et Len Lye, Maison de l’Image Marseille.<\/span><\/span><\/p>\n

1989<\/b><\/span><\/span><\/p>\n

Cin\u00e9ma des plasticiens cin\u00e9ma exp\u00e9rimental, Crac Valence<\/span><\/span><\/p>\n

1988<\/b><\/span><\/span><\/p>\n

Tendances Contemporaines, Ecole des Beaux-Arts de Paris<\/span><\/span><\/p>\n

1987<\/b><\/span><\/span><\/p>\n

Workshop Plastic Montage, Auckland University, School of Fine Arts N.Z.<\/span><\/span><\/p>\n

1986<\/b><\/span><\/span><\/p>\n

Musique\/Film, LukasInstitut Bruxelles <\/span><\/span><\/p>\n

Musique\/Film, Universit\u00e9 Le S\u00e9rail Toulouse<\/span><\/span><\/p>\n

1984<\/b><\/span><\/span><\/span><\/p>\n

Musique\/Film, Ecole des Arts D\u00e9coratifs Paris<\/span><\/span><\/span><\/p>\n

1982-96<\/b><\/span><\/span><\/p>\n

Introduction de nombreuses programmations de films<\/span><\/span><\/p>\n

1978-79<\/b><\/span><\/span><\/p>\n

Conf\u00e9rencier Mus\u00e9e National d\u2019Art Moderne<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

2021 Pr\u00e9sentation de l’exposition Dead Souls de Derek Jarman, Credac, suivit d’une pr\u00e9sentation et d\u00e9bat autour de The last of England, cinema le Luxy, 12 d\u00e9cembre Journ\u00e9e mondiale de lutte contre le sida rencontre avec Bloum Cardenas, Willy Rozembaum, yann beauvais et Antoine Idier,\u00a0 le collectif 06 Lutte contre le siad et les Ouvreurs , […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[132,2],"tags":[],"class_list":["post-381","post","type-post","status-publish","format-standard","hentry","category-ateliersconferencesenseignements-workshopslecturesteaching","category-biographie"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=381"}],"version-history":[{"count":69,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/381\/revisions"}],"predecessor-version":[{"id":1755,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/381\/revisions\/1755"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}