{"id":449,"date":"2014-05-13T13:11:11","date_gmt":"2014-05-13T12:11:11","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=449"},"modified":"2024-08-19T15:10:05","modified_gmt":"2024-08-19T14:10:05","slug":"film-shows-ciclo-de-filmes","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=449","title":{"rendered":"Film shows \/ Ciclo de filmes"},"content":{"rendered":"\n<p>2024: FORUM DO MOVIMENTO DAS IMAGENS ANO IV, Cinema da Funda\u00e7\u00e3o, Recife <\/p>\n\n\n<p>2022: CARTE BLANCHE (2 et masterclass) \u00e0 yann beauvais, L&rsquo;\u00e2ge d&rsquo;or, Cinematek Bruxelles<\/p>\n<p>2021: 40 NOS DE LIGHT CONE, ATIVANDO O CINEMA, 18e Festival de Sevilla<\/p>\n<p>2017 : 2\u00b0 FORUM MOVIMENTO DA IMAGENS, Caixa Cultural, Recife<\/p>\n<p>2015 : <span style=\"font-size: small;\">1\u00b0 FORUM MOVIMENTO de IMAGENS, Itin\u00e9rancia Rio de Janeiro, Cinemateca do MAM, Risco Cinema, Rio de Janeiro<\/span><\/p>\n<p><span style=\"font-size: small;\">1\u00b0 FORUM MOVIMENTO de IMAGENS, Alian\u00e7a Francesa, Fundaj, Recife <\/span><\/p>\n<p><span style=\"font-size: small;\">Mostra VIDEOARTE E CINEMA EXPERIMENTAL, Alian\u00e7aFrancesa, Recife<\/span><\/p>\n<p>2014 : <span style=\"font-size: small;\">CINECLUBE IMAGEM E PENSAMENTO , B3 Recife<\/span><\/p>\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">2013\u00a0:\u00a0FILM du BRESIL, Ecole Nationale sup\u00e9rieure des Beaux Arts, Paris<\/span><\/p>\n<p>2011 : FILMES PARA PENSAR 13 Festival de Curtas Belo Horizonte<\/p>\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">2010\u00a0: JOSE AGRIPPINO DE PAULA, Centre Georges Pompidou, Paris\u00a0<\/span><a style=\"line-height: 1.714285714; font-size: 1rem;\" href=\"http:\/\/www.centrepompidou.fr\/cpv\/ressource.action;jsessionid=10EAA297AC8C0718233EEB8616CDB8E9?param.id=FR_R-b063fd71ed5f5172f4b1c3356398fe&amp;param.idSource=FR_E-b063fd71ed5f5172f4b1c3356398fe\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.centrepompidou.fr\/cpv\/ressource.action;jsessionid=10EAA297AC8C0718233EEB8616CDB8E9?param.id=FR_R-b063fd71ed5f5172f4b1c3356398fe&amp;param.idSource=FR_E-b063fd71ed5f5172f4b1c3356398fe<\/a><\/p>\n<p>: BRAZILIAANSE GAY CINEMA, Cinema off-off, Gent<\/p>\n<p>: NOTES FROM LAND TO CITY, Videoex und Kunstraum Walcheturm, Zurich<\/p>\n<p>2008\u00a0: Autour De Paul Sharits; Festival de Rotterdam 2007<\/p>\n<p>: PAUL SHARITS\u00a0: FIGMENT, Espace Multim\u00e9dia Gantner, Bourogne\u00a0<a href=\"http:\/\/www.espacemultimediagantner.cg90.net\/fr\/creation\/expositions\/19-expositions\/125-figment\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.espacemultimediagantner.cg90.net\/fr\/creation\/expositions\/19-expositions\/125-figment<\/a><\/p>\n<p>: EXPANDED CINEMA, Nuit Blanche, Parc de Bercy, Paris<\/p>\n<p>2006\u00a0: PAYSAGES URBAINS, La Filature, le quai, Mulhouse : FOUND FOOTAGE Keith SANBORN, La\u00a0 Filature, Mulhouse<\/p>\n<p>2005\u00a0: FOUND FOOTAGE, La Filature, Ecole des Beaux Arts Le Quai, Mulhouse<\/p>\n<p>: A RETRO OF THE 1st DIGITAL DECADE, Golden Horse Film Festival, Taipei<\/p>\n<p>: FILMS ET VIDEO BRESILIENNES, un \u00e9t\u00e9 br\u00e9silien, Metz<\/p>\n<p>: AVENIDA BRAZIL Scratch projection, itin\u00e9rante<\/p>\n<p>2004\u00a0: CONTEMPORARY CHINESE VIDEO, Kino Arzenal, Berlin<\/p>\n<p>: FILM DE MOTS, la science en f\u00eate, Tarabel<\/p>\n<p>: UNDERGROUND\u00a0: vid\u00e9os chinoises et underground politique, forum des images, Paris<\/p>\n<p>2003\u00a0: CE QUI FAIT MANIFESTE\u00a0: La musique de l\u2019image &#8211; le mouvement du son, M\u00e9nagerie de verre, Paris<\/p>\n<p>: TRACES, exp\u00e9rimentation EN cin\u00e9ma 9\u00e8me, Universit\u00e9 Paul Sabatier, Toulouse<\/p>\n<p>: CHINE(S) vid\u00e9oart et cin\u00e9ma exp\u00e9rimental de Chine populaire et de Taiwan, Scratch Paris<\/p>\n<p>: REMINISCENCES &amp; PARIS DISTRAITEMENT, VideoEx, Zurich<\/p>\n<p>: RIVAGES LOINTAINS, Image Forum film festival, Tokyo, Kyoto, Yokohama<\/p>\n<p>: carte blanche urbascope, maison de la culture de Bourges<\/p>\n<p>2002 : CE QUI FAIT MANIFESTE, avec Didier Silhol, m\u00e9nagerie de verre, Paris<\/p>\n<p>: transport de l&rsquo;image, exp\u00e9rimentation EN cin\u00e9ma 8\u00e8me, Universit\u00e9 Paul Sabatier, Toulouse<\/p>\n<p>2001 : monter sampler, de l&rsquo;\u00e9chantillonnage, Festival access, Pau<\/p>\n<p>: ce que l&rsquo;oreille dit \u00e0 l&rsquo;\u0153il, exp\u00e9rimentation EN cin\u00e9ma 7\u00e8me, Universit\u00e9 Paul Sabatier, Toulouse<\/p>\n<p>2000\u00a0: MASCARADE, Festival de Films Gay Lesbien, Forum des images, Paris<\/p>\n<p>: MONTER \/ SAMPLER, Centre George Pompidou, Paris<\/p>\n<p>: Choix de vid\u00e9o, CR\u00c9D.AC, Ivry<\/p>\n<p>1999 : AU FIL(M) de L&rsquo;EAU, exp\u00e9rimentation EN cin\u00e9ma 5\u00e8me, Universit\u00e9 Paul Sabatier, Toulouse<\/p>\n<p>: proposition, Centre National de la Photographie, Paris<\/p>\n<p>: EXPERIMENTAL FILM, Cin\u00e9math\u00e8que de J\u00e9rusalem<\/p>\n<p>: CINEMA SPERIMENTALE, Multim\u00e9d.ia Milano, Link Bologna (10 pgs)<\/p>\n<p>1998 : SANS TABOU, Vid\u00e9oth\u00e8que de Paris<\/p>\n<p>: FILM &amp; VIDEO, BIENNALE DE LA PHOTO, CNP, Ecole Nationale Sup\u00e9rieures des Beaux Arts, Paris<\/p>\n<p>: FROM PRIVATE TO PUBLIC SPACE, Nueur Museum, Bremen<\/p>\n<p>: FRANZ\u00d6SISCHER EXPERIMENTALFILM VON 1945 BIS HEUTE, Elfter Stuttgarter Filmwinter,<\/p>\n<p>1998 1997 : ARTECINEMA Filmes experimentais \/ Fillmes de artistas plasticos, Centre Cultural Banco do Brasil Rio de Janeiro, conseiller<\/p>\n<p>: REMEMBRANCES &#8211; VISIBLE CITIES, 3 Internationale Biennale, film+arc- Gratz<\/p>\n<p>: HOMAGE TO MARIO MONTEZ, Mix , New York<\/p>\n<p>: VISUAL DIGEST, Printemps de Cahors<\/p>\n<p>: STAN VANDERBECK RETROSPECTIVE, EMAF, Osnabruck<\/p>\n<p>: HYPER M\u00c9D.IA HIER et DEMAIN, la pens\u00e9e non lin\u00e9aire dans le film, la vid\u00e9o et les m\u00e9dias digitaux, 43\u00e8me festival d&rsquo;Oberhausen<\/p>\n<p>1996 : 3\u00e8me FESTIVAL DE FILMS GAYS &amp; LESBIENS DE PARIS, L&rsquo; Entrep\u00f4t<\/p>\n<p>: POUSSIERE D&rsquo;IMAGE, carte blanche \u00e0 Y.B,. Found FootageFestival, Bielefeld<\/p>\n<p>: L&rsquo;ART AU CORPS, MAC galeries contemporaines, Marseille<\/p>\n<p>: CAMERA I, Impakt Film Festival, Utrecht : DOCUMENTARIES REVISIT\u00c9D., Oberhausen Short Film Festival<\/p>\n<p>: JONAS MEKAS, FILMS IMMOBILES, UNE CELEBRATION, American Center, Galerie du Jour<\/p>\n<p>: LE JE FILME, Cin\u00e9math\u00e8que de Bucarest, Institut Fran\u00e7ais de Roumanie<\/p>\n<p>1995 : 2sd PARIS GAY &amp;LESBIAN FILM FESTIVAL, American Center<\/p>\n<p>: GREGORY J. MARKOPOULOS, R\u00e9trospective, 1940-71, American Center, Paris<\/p>\n<p>: POETIQUE DE LA COULEUR, Auditorium du Louvre, Paris<\/p>\n<p>: FOUND FOOTAGE, Galerie Nationale du Jeu de Paume, Paris<\/p>\n<p>: TRAVELLING CULTURE : SEXE, RACE AND THE M\u00c9D.IA with Ann Kaplan, American Center<\/p>\n<p>: JOURNAUX FILME, Centre Georges Pompidou, Paris<\/p>\n<p>: DEFILE DE FILM RE- CADRE, Film comme installation, La Zonm\u00e9\u00e9, Montreuil<\/p>\n<p>1994 : KEN JACOBS, Le cin\u00e9ma comme image fant\u00f4me, American Center<\/p>\n<p>: ANDY WARHOL FILM &amp; TELEVISION, American Center<\/p>\n<p>: DISORDER TODAY, American Center Paris : 1st PARIS GAY &amp; LESBIAN FILM FESTIVAL, American Center<\/p>\n<p>: POESURE PEINTRIE, conseiller scientifique, MAC, Marseille<\/p>\n<p>1993\u00a0: DIE SPRACHE IM FILM, in DIE SPRACHE DER KUNST, Kunsthalle Wien, Film Casino<\/p>\n<p>: FRENCH AVANT-GARDE, Innovation 93, Corner House, Manchester<\/p>\n<p>: DEFILE: DE FILM: DECADRE, Film comme installation, La Zonm\u00e9\u00e9\u00e9, Montreuil, puis au 102, Grenoble et \u00e0 l&rsquo; Alhambra Marseille<\/p>\n<p>1992 : MANIFESTE, 30 de cin\u00e9ma en perspective, Centre Georges Pompidou, Paris<\/p>\n<p>: CHUTE LIBRE, r\u00e9trospective Found Footage, 11 Festival de Viper, Luzern<\/p>\n<p>1991 : MOHOLY NAGY Y EL CINE DE LAS VANGUARDIAS Filmoteca Generalitat Valenciana<\/p>\n<p>: WAR WARISM it&rsquo;s not a show Theater 2 University of South Florida Tampa<\/p>\n<p>: CINEMA POUR EL LITSSIZKY, Mus\u00e9 d&rsquo;Art Moderne de Paris<\/p>\n<p>: SI FILM DA, Almanach autour du Sida<\/p>\n<p>: THREE PROGRAMMES OF EXPERIMENTAL FRENCH FILM Artspace, Aukland<\/p>\n<p>1990 : FRANCE ANNEES 80, INDICATION, Scratch, Paris<\/p>\n<p>: ANDY WARHOL, CINEMA, (assistant) Mus\u00e9e National d&rsquo;Art Moderne Paris<\/p>\n<p>: AUTOUR DE L&rsquo;ARTE POVERA, Mus\u00e9e Cantini, cinema l&rsquo;Alhambra, Marseille<\/p>\n<p>1989 : ZVUK I FILM, Scratch &amp; ZA Center et 15 Musiki Biennale, Zagreb<\/p>\n<p>: CONTEMPORARY FRENCH FILMS, tour aux U.S.A. : NEUE EXPERIMENTALFILME AUS FRANKREICH, Bonn<\/p>\n<p>1988 : TENDANCES CONTEMPORAINES, Ecole des Beaux Arts de Paris<\/p>\n<p>: FRENCH Super 8 FILMS, Exit Art, New York<\/p>\n<p>: MOT: DITES, IMAGE Scratch &amp; Mus\u00e9 National d&rsquo;Art Moderne Paris<\/p>\n<p>1987 : FRENCH AVANT-GARDE FILMS, tour aux U.S.A. en Nouvelle Z\u00e9lande et Londres<\/p>\n<p>1986 :THE FRENCH AVANT-GARDE, (assistant) LFMC Londres<\/p>\n<p>: MUSIQUE \/ FILM, Scratch et Cin\u00e9math\u00e8que Fran\u00e7aise<\/p>\n<p>1985 : CINEMA DES PLASTICIENS, Scratch et Cin\u00e9math\u00e8que Fran\u00e7aise<\/p>\n<p>: CINEMA EXPERIMENTAL AMERICAIN, MOMA, Scratch Cin\u00e9math\u00e8que Fran\u00e7aise<\/p>\n<p>1984 : ALIBIS prolongement cin\u00e9matographique, Mus\u00e9e National d&rsquo;Art Moderne Centre G. Pompidou, Paris<\/p>\n<p>1983 : ART CINEMA, Scrtach \/ MJC Issy les Moulineaux<\/p>\n<p>1981 : CINEMATOGRAPHIES EXPERIMENTALES, Pr\u00e9a \/ Adicinex en Avignon<\/p>\n<p>1978 : Centre Culturel du X\u00e8me<\/p>\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2024: FORUM DO MOVIMENTO DAS IMAGENS ANO IV, Cinema da Funda\u00e7\u00e3o, Recife 2022: CARTE BLANCHE (2 et masterclass) \u00e0 yann beauvais, L&rsquo;\u00e2ge d&rsquo;or, Cinematek Bruxelles 2021: 40 NOS DE LIGHT CONE, ATIVANDO O CINEMA, 18e Festival de Sevilla 2017 : 2\u00b0 FORUM MOVIMENTO DA IMAGENS, Caixa Cultural, Recife 2015 : 1\u00b0 FORUM MOVIMENTO de IMAGENS, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11,13],"tags":[],"class_list":["post-449","post","type-post","status-publish","format-standard","hentry","category-curating","category-shows"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=449"}],"version-history":[{"count":7,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/449\/revisions"}],"predecessor-version":[{"id":1948,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/449\/revisions\/1948"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}