{"id":455,"date":"2014-05-17T23:56:24","date_gmt":"2014-05-17T22:56:24","guid":{"rendered":"https:\/\/yannbeauvais.com\/?p=455"},"modified":"2023-03-07T09:00:17","modified_gmt":"2023-03-07T08:00:17","slug":"expos-exhibitions-mostras","status":"publish","type":"post","link":"https:\/\/yannbeauvais.com\/?p=455","title":{"rendered":"Expos \/ Exhibitions \/ Mostras"},"content":{"rendered":"

2023 : Expos\u00e9es<\/em>, Palais de Tokyo, 16 f\u00e9vrier, 14 mai 2023, Tu,sempre #16, Paris\"tu,<\/a><\/em><\/p>\n

2022: Imburaninha<\/em>, Edson Barrus & yann beauvais<\/em>\u00a0 Ygrec ENSAPC, 17 septembre 30 octobre, Aubervilliers<\/p>\n

\"Imburaninha\"<\/a><\/p>\n

2021: VIH\/Sida l\u2019\u00e9pid\u00e9mie n\u2019est pas finie,<\/em> MUCEM 14 d\u00e9cembre 2021, 2 Mai 2022 Tu,sempre #15, <\/em>Marseille
\n<\/em><\/p>\n

\"Tu,<\/a><\/p>\n

Artifacts, Tu, sempre #14, <\/em>commissariat Barbara Krulik, Midred Duran, Casa Hoffmann, 24 sep \/ 23 oct, Bogota<\/p>\n

\"Artifacts\"<\/a><\/p>\n

La page manquante, <\/em>commissariat Renaud-Auguste Dormeuil, Centre WAllonie Bruxelles, 5-14 mars Paris<\/p>\n

2019: La page manquante, <\/em>commissariat Renaud-Auguste Dormeuil, Mus\u00e9e des Moulages H\u00f4pital Saint Louis 9 au 22 sep, Paris<\/p>\n

2017: Frestas Trienal de Artes Sorocaba, Projeto Imburana Edson Barrus<\/em>, film Imburana Frestas, 12 de Agosto \/ 13 de Dezembro 2017, Sorocaba\u00a0 Sescsp, S\u00e3o Paulo<\/p>\n

Trouv\u00e9es M\u00e9trages<\/em> July 20th \u2013 August 18th, Curated by Deirdre Morrissey, The Mart Gallery, Dublin<\/p>\n

Voice = Survival<\/em> June 15th, August 11 an exhibition curated by Claudia Maria Carrera and Adrian Geraldo Salda\u00f1a for Visual AIDS at The 8th Floor, New York<\/p>\n

The New Situationists<\/em>, March 3rd, April 28th, ProArts, Oakland<\/p>\n

2016 art protects<\/i> Aides, Galerie Yvon Lambert, Espace Fondation EDF, Paris<\/p>\n

2014\u00a0 yb 150213 40 anos de ativismo de yann beauvais, <\/i>B\u00b3, Recife \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/i>Art Protects<\/em>, Galerie Yvon Lambert, Paris\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Hezraelah, <\/i>in TypeMotion Type as Image in Movement, ZKM I Museum of Contemporary Art, \u00a0Karlsruhe November 16, 2013 – January 12, 2014<\/p>\n

2013 Tu, sempre # 11, <\/i>Um dia sem arte, B3, Recife \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/i>Artificial Poetic,<\/i> Livre Film\u00e9, 5eme Festival du livre de la Canebi\u00e8re, La compagnie, Marseille \u00a0 \u00a0 \u00a0 Artificial Poetic<\/i><\/i>, Book Machine, Nouveau Festival, Centre Georges Pompidou, 20 f\u00e9vrier, 11 mars, Paris\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/i><\/p>\n

2011\u00a0art protects<\/i> Aides, Galerie Yvon Lambert, Paris<\/p>\n

2010 Tu sempre # 10<\/em> in Conversations intimes, 19 juin au 31 octobre, proposition d\u2019Evelyne Artaud et Diane Watteau, Mus\u00e9e d\u00e9partemental de l\u2019Oise, Beauvais
\ntrans\/brasiliana\/tout va bien in<\/em> Le r\u00e9el, nouvel opium\u00a0? 4 au 27 f\u00e9vrier, organis\u00e9e par est-ce une bonne nouvelle \u00e0 la Galerie Les filles du Calvaire, Paris<\/p>\n

2009 Tu sempre #9<\/em> in L\u2019empathie des parties – afinitats electives, commissariat Miquel Mont, Gl\u00f2ria Picazo No\u00eblle Tissier, Centre R\u00e9gional d\u2019Art Contemporain Languedoc Roussillon, S\u00e8te, 16 janvier 8 mars \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Affection exon\u00e9rante<\/em> in\u00a0Les belles images\u00a0: Premi\u00e8re Hypoth\u00e8se La Box, Bourges<\/p>\n

\"affection<\/a>art protects<\/i> Aides, Galerie Yvon Lambert, Paris<\/p>\n

2008-2009\u00a0<\/em>Affection exon\u00e9rante<\/em> in Cosmos En busca de los or\u00edgenes de Kupka a Kubrick, exposition sous la direction d\u2019Arnauld Pierre, TEA Tenerife Espacio de las Artes, du 31 oct 2008 au 31 janv 2009 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Tu, Sempre # 8<\/em> in Afinitas Electives , un projeto de Miquel Mont amb la complicitat de Gl\u00f5ria Picazo i No\u00eblle Tissier, Centre d\u2019art La Panera, Lleda, du 22 oct au 4 jan<\/p>\n

2008 Spin<\/em>, co-r\u00e9alis\u00e9 avec Edson Barrus, in 3\u00e8me \u00e9dition de Yokohama France vid\u00e9o collection dans le cadre du Mois de la France et du Red Brick Contemporary File, est ce une bonne nouvelle Yokohama 27 juin au 6 juil
\n\"spin<\/a><\/p>\n

2007\u00a0Da Galpao da Dona Anna de Carancas em Petrolina<\/em>, in Finestres i Pantalles, selected by Miquel Mont, Carmelitas Gallery 29 octobre – 25 novembre, Barcelona
\nInstructions For Films<\/em>, Zoo Air Fair, Royal Academy of the Arts, 12-15 octobre, London
\nSans Titre beijing<\/em> , in Courts d\u2019Et\u00e9, Accrochage d\u2019\u00e9t\u00e9, Mus\u00e9e d\u2019art Moderne et Contemporain, 22 juin – 23 septembre, Strasbourg \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0art protects<\/i> Aides, Galerie Yvon Lambert, Paris \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Les mots Fleurissent<\/em>, Galerie Joffre, espace municipal d\u2019art contemporain, 13 avril – 5 mai, Cahors \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span>aller-retour<\/em>, dialogue n\u00b04, est-ce une bonne nouvelle, 20 janvier, Paris<\/p>\n

\"aller-retour\"<\/a><\/p>\n

 <\/p>\n

2006-2007\u00a0Shibuya<\/em>, Le mouvement des Images, Centre Georges Pompidou, 5 avril , 29 janvier\u00a0<\/span><\/p>\n

2006, d\u2019ailleurs<\/em> in La Montagne Sainte Victoire, vue(s) et revue(s) Librairie K, Aix en Provence, 13 juin, 20 septembre
\nThe Expanded Eye<\/em>, Sehen – entgrenzt und verfl\u00fcssigt, Kunshauss Z\u00fcrich, 16 juin – 3 septembre
\nDes Rives<\/em>, in Vues urbaines, Kunstraum Walchertum, Z\u00fcrich, 8 au 29 juin<\/p>\n

\"08\"<\/a><\/p>\n

Transbrasiliana<\/em> in Paysages Urbains, galerie Parisud, Cachan, est ce une bonne nouvelle 2007<\/p>\n

absente,<\/em>\u00a0<\/em>La maison Rimbaud hors les murs, Raja Art House, Bangkok \u00a02006<\/p>\n

2005\u00a0Transbrasiliana<\/em>, Made in Brazil, Centre d\u2019art contemporain Faux mouvement, Metz Shibuya,<\/em> vues d\u2019ici, Centre d\u2019art contemporain Faux mouvement, Metz<\/p>\n

\"transbra<\/a><\/p>\n

2004 Tu, sempre # 6<\/em>, La Compagnie, Marseille
\nTu, sempre # 7<\/em>, After Foucault, Vacarme, Les Vo\u00fbtes, Paris
\nabsente<\/em>, la maison des ailleurs, Maison Rimbaud, Charleville-Mezi\u00e8res<\/span><\/p>\n

2003 Tu, sempre # 5<\/em>, Espace multim\u00e9dia Gantner
\nTu, Sempre # 4,<\/em> galerie faux-mouvement, Metz
\nTu, Sempre # 3<\/em>, Galerie de l\u2019\u00e9cole des beaux arts de Tours<\/p>\n

2002 Tu, Sempre # 2<\/em>, Galerie eof, Paris<\/p>\n

2001 Tu, Sempre,<\/em> \u00ab Festival Mettre en Sc\u00e8ne\u00bb, La Cri\u00e9e, Rennes
\nDes Rives<\/em>, \u00ab Outras Paisagens \u00bb, Museu Serralves, Porto
\nGo, Go, Go, it\u2019s not disco<\/em>, \u00ab Videoformes \u00bb, Mus\u00e9e du tapis, Clermont Ferrand
\nDes Rives<\/em>, Le Credac, Ivry sur Seine<\/p>\n

2000 Rotative Screen<\/em>, Link et Installation Quatr\u2019un<\/em>, Netmage, \u00ab Media magica \u00bb, Palazzo Paloetti, Bologna
\nDes Rives<\/em>, \u00ab Festival des nouveaux m\u00e9dias \u00bb, Cin\u00e9math\u00e8que qu\u00e9bequoise, Montr\u00e9al
\nDes Rives<\/em>, \u00ab Chilled out Cinema \u00bb, Link, Bologna
\nDes Rives<\/em>, \u00ab Expanded Cinema \u00bb, idea Wand 5, Stuttgart<\/p>\n

1999 \u00ab Machines de cin\u00e9ma \u00bb , Installation Des Rives,<\/em> Spoutnik, Gen\u00e8ve
\n\u00ab Y2K le cin\u00e9ma d\u00e9cadr\u00e9 \u00bb, Des Rives <\/em>et Quatr’un<\/em> , Washang Art Center, Taipei
\n\u00ab SITuation COMpromettantes \u00bb, Des Rives projet<\/em> \u00a0galerie Anton Weller et galerie Montenay-Giroux<\/p>\n

1998 Ouverture Mus\u00e9e d\u2019art moderne et contemporain, Ken et le m\u00e8tre<\/em>, Strasbourg<\/p>\n

1996 \u00ab D\u00e9fil\u00e9 de film Re-cadr\u00e9 \u00bb Faisceau 2<\/em> \u00a0l\u2019Alhambra, Installation Faisceau, Marseille
\n\u00ab yann beauvais, Anne-Marie Cornu, Emmanuel Odin\u00bb, Installation Faisceau 2<\/em>, Centre d\u2019art contemporain de Rueil-Malmaison<\/p>\n

1995 \u00ab D\u00e9fil\u00e9 de film Re-cadr\u00e9 \u00bb, La Zonm\u00e9e, Montreuil, Installation Temps de m\u00e8tre<\/em>
\n\u00a0\u00bb de ci de l\u00e0 du cin\u00e9ma hui et au del\u00e0\u00a0\u00bb \u00a0Quatr’un<\/em>, Mire, Chapelle de l\u2019Oratoire, Nantes<\/p>\n

1993 \u00ab Le cin\u00e9ma s\u2019installe \u00bb, , Installation film Store,\u00a0<\/em>102, Grenoble
\n\u00ab Images en sc\u00e8ne \u00bb,Image 3000, Installation Quatr\u2019un, \u00a0<\/em>Palais de Tokyo,\u00a0\u00a0Paris
\n\u00ab Arr\u00eat sur Image \u00bb 3, \u00a0photos Eliclipse<\/em> et New York Long Distance,\u00a0<\/em>La Zonm\u00e9e, Montreuil
\n\u00ab Le cin\u00e9ma comme installation\u00bb, Installation Quatr\u2019un,\u00a0<\/em>l\u2019Alhambra, Marseille
\n\u00ab D\u00e9fil\u00e9 de film D\u00e9cadr\u00e9 \u00bb, Installation Quatr\u2019un,\u00a0<\/em>La Zonm\u00e9e, Montreuil<\/p>\n

1992 \u00ab Arr\u00eat sur image \u00bb, La Zonm\u00e9e, Montreuil, Installation film 25 01 92<\/p>\n

1985 \u00ab Vid\u00e9o installation \u00bb, Enjeux<\/em> The Fridge, London<\/p>\n

1983 \u00ab Art Cin\u00e9ma \u00bb, Issy les Moulineaux, According to<\/em> frozen film frame et photos<\/p>\n","protected":false},"excerpt":{"rendered":"

2023 : Expos\u00e9es, Palais de Tokyo, 16 f\u00e9vrier, 14 mai 2023, Tu,sempre #16, Paris 2022: Imburaninha, Edson Barrus & yann beauvais\u00a0 Ygrec ENSAPC, 17 septembre 30 octobre, Aubervilliers 2021: VIH\/Sida l\u2019\u00e9pid\u00e9mie n\u2019est pas finie, MUCEM 14 d\u00e9cembre 2021, 2 Mai 2022 Tu,sempre #15, Marseille Artifacts, Tu, sempre #14, commissariat Barbara Krulik, Midred Duran, Casa Hoffmann, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2,12,134,135],"tags":[],"class_list":["post-455","post","type-post","status-publish","format-standard","hentry","category-biographie","category-exhibitions","category-expos-exhibitions-mostras","category-exposexhibitionmostras"],"acf":[],"_links":{"self":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=455"}],"version-history":[{"count":19,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/455\/revisions"}],"predecessor-version":[{"id":1839,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=\/wp\/v2\/posts\/455\/revisions\/1839"}],"wp:attachment":[{"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbeauvais.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}