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40 años de Light Cone Activando el cine. 40 years of Light Cone Activating the Cinema
Interview made by Elena Duque in Spanish an English published in 18 Sevilla FIlm Festival Interview conduite par Elena Duque en Espagnol et Anglais publié dans le catalogue du 18 festival de film de Seville Interview SEFF
You Belong To Me
B.H. Yael : Family States edited by Mike Hoolboom, Conversalon, Toronto 2021
Une découverte, préface et Autour de Cécile Fontaine, postaface
L’émulsion fantastique le cinéma selon Cécile Fontaine, organisé par yann beauvais Light Cone éditions Paris 2021 2021 04 Les presse du réel L’émulsion fantastique
co vid e
un tract autour de la pandémie en cours / ciné tract about the ongoing pandemic Avec l’apparition de cette pandémie on retrouve des similarités d’attitudes, de positions, des réflexes d’autoritarisme et sécuritaire qui évoquent la crise du sida des années 80 et 90. Ce film s’en fait entre autre, l’écho.
Kengné Téguia : Echoes of Silence
Two or three years ago I discovered Kengné Téguia’s work, even before I knew him; and what a surprise it was to meet him, attending one of my courses given at the ENSAPC. Obviously he was not comfortable in this school, or more precisely the school could no longer bring him much in terms of […]
Coisas de viados! Coisas de bixas !
Coisas de viado ! coisas de bixas ! Para falar sobre a relação entre filmes experimentais e a cultura gay no Brasil, estarei focando este ensaio em poucos filmes. Parece que no Brasil, assim como em muitos outros países, o campo da produção experimental no cinema tem sido desenvolvido por indivíduos que com frequência pensam que estão […]
INTRODUCCIÓN / INTRODUCTION
INTRODUCCIÓN in Anatomía de la imagen Notas de Teo Hernández editado por Andrea Ancira García et Neil Mauricio Andrade, Buró -Buró Tumbalacasa ediciones, Mexico 2019 INTRODUCTION in Anatomie de l’image Notes de Teo Hernández, édité para Andrea Ancira García et Neil Mauricio Andrade, Buró -Buró Tumbalacasa ediciones, Mexico 2019
I Am Always Connected
Strange Machines The films of Phillip Barker, editor Mike Hoolboom, Pleasure Dome, Toronto 2018
Derrubada não!
Derrubada não! takes as its starting point the project of an indigenous artist from the Pernambuc, Edson Barrus, of the Atikum-Umã tribe, which aims to transform a piece of land into an ecological sanctuary. (see the site http://projetoimburana.com/en) The project developed following the artist’s reencounter with his people, the Atikum-Umã. This land is located in […]